Introduction to the Art of Film

Course Policies
Introduction

August

 

17
Course Introduction – The Audience That Knew Too Much

 

Working Definitions of "Critical Reading" and "Film Text"

 

 

19

The Business - Distribution, Promotion, Exhibition

 

 Film Experience – Chapter 1




24
Marketing Report (by groups)

Discussion of Star System




26

Star System and Film Discussion


Screening:  Sunset Boulevard (Wilder, 1950)




Basic Composition of Film

31

Mise-en-scene


Film Experience – Chapter 3

 


 September


2

German Expressionism and Film Discussion


Screening: The Cabinet of Dr. Caligari (Wiene, 1920)

Marketing and Mise-en-scene Quiz


7
LABOR DAY - No Classes


9
Cinematography

Film Experience – Chapter 4




14
Cinematography (cont.)

Begin exercises for Shot-by-shot


16
Cinematography and Direction

Screening: Raising Arizona (Coens, 1987)

Cinematography Quiz


21
Editing - Introduction to Continuity

Film Experience – Chapter 5 (p.135-60)




23
Shot-by-shot Exercise and Film Discussion

Screening: The Big Sleep (Hawks, 1946)


28
Editing - Alternatives to Continuity

Film Experience – Chapter 5 (p.160-83)

Shot-by-shot Exercise Due




30 Review for Midterm

Writing Exercise to Prepare for Midterm Essay
October
5
Midterm Exam

Oct. 6th = Last day to withdraw with a "W"


7

Discontinuity and Film Discussion


Screening: Bonnie and Clyde (Penn, 1967)


12

Introduction to Film Sound

Film Experience – Chapter 6




14

Film Sound and Discussion


Screening: Do the Right Thing (Lee, 1989)



Organizational Structures
19 Narrative Form

Film Experience – Chapter 7




21
Discussion of Narrative Form and Film

Screening: Adaptation (Jonze, 2002)

Segmentation Exercise


26 Experimental Film

Film Experience – Chapter 9

In-class Screening: Meshes in the Afternoon (Deren, 1943); Un Chien Andalou (Buñuel, 1929)


28
Film Sound and Narrative Form (including experimental form) Quiz

Revised Segmentation Exercise and Rationale Due (typed)


November


2
Movie Genres

Film Experience – Chapter 10




4
Rituals, Conventions, Achetypes and Formulas

Screening: Let the Right One In (Alfredson, 2008)


9
Documentary

Film Experience – Chapter 8


11
Documentary  and Film Discussion

Screening: Grizzly Man (Herzog, 2005)




16
Global Cinema 

Film Experience – Chapter 12 (p.405-23)




18
Global Cinema and Film Discussion

Screening: Hero (Zhang, 2002)


23
Movie Genres and Documentary Film Quiz


25-29
THANKSGIVING RECESS - No classes


30
Animation and the Digital Future

In-class screening: Steamboat Willie (Disney, 1928) and excerpts of WALL-E (Stanton, 2008)


December

2
Final Review for Exam


11
Final Exam -  2-4 pm