| Course
Policies |
Introduction |
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August |
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| 15 |
Course
Introduction – The Audience That Knew Too Much |
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Working Definitions of "Critical Reading" and "Text" |
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20 |
The Business - Distribution, Promotion, Exhibition |
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Film
Experience – Chapter 1 |
| Screening: Sunset Boulevard (Wilder, 1950) | |
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22 |
Star System |
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Recommended Reading: "Béla Balázs on the Face of Greya Garbo," Film Experience, p.72-74 |
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Composition
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27 |
Mise-en-scene |
| Film Experience – Chapter 2 | |
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Screening: Nosferatu (Murnau, 1922) |
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29 |
German Expressionism |
| Quiz #1 | |
| September | |
| 3 |
LABOR DAY - No Classes |
| 5 |
Cinematography |
| Film Experience – Chapter 3 | |
| 10 |
Cinematography |
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Film Experience – Chapter 3 (cont.) |
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| Screening: Raising Arizona (Coens,
1987) |
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| Begin exercises for Shot-by-shot |
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| 12 |
Recommended: Place,
J.A. and L.S. Peterson. "Some Visual Motifs of Film Noir" (M&M) |
| Cinematography Quiz |
|
| 17 |
Editing
- Introduction to Continuity |
| Film Experience – Chapter 4 (p.110-36) |
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| Screening: The Big Sleep
(Hawks, 1946) |
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| 19 |
Shot-by-shot Exercise |
| Recommended: Bellour,
Raymond. "The Obvious and the Code" (WebCT) |
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| 24 |
Editing - Alternatives to Continuity |
| Film Experience – Chapter 4 (p.136-65) | |
| Screening: À bout de souffle [Breathless] (Godard, 1960) | |
| Typed Shot-by-shot Due |
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| 26 |
Editing Quiz |
| Writing Exercise for Shot Analysis |
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| 5 |
Documentary (cont.) |
| Screening: Grizzly Man (Herzog, 2005) | |
| Recommended: Arthur, Paul. "Extreme Makeover: The Changing Face of Documentary" (WebCT) | |
|
7 |
Segment Analysis Due, attach graded segmentation |
| 12 |
Global Cinema |
| Film Experience – Chapter 10 (p.365-83) | |
| Screening: Monsoon Wedding (Nair, 2001) | |
| 14 |
Global
Cinema Cont. |
| 19 | Quiz #5 |
| 21-25 |
THANKSGIVING RECESS -
No classes |
| 26 |
American
Alternatives |
| Film Experience – Chapter 10 (p.383-415) |
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| Screening: 4 Little Girls (Lee, 1997) | |
| 28 |
Defining
Independence? |
| December |
|
| 3 |
Final Review for Exam |
| 12 |
Final Exam - 11am-1 pm |