Education and Interpretation in Museums (History 6303)

State University of West Georgia/Atlanta History Center Museum Studies Program

Spring 2005

 

Instructors:

Ann McCleary, Coordinator of Museum Studies Certificate program, UWG History Department, 678-839-6041, amcclear@westga.edu, Office hours:  11-1:30 Tuesday/Thursday and by appointment

Karen Kelly, Director of Education, Atlanta History Center, 404-814-4118, kkelly@atlantahistorycenter.com, Office hours by appointment

 

Class meetings 

10-12:15 Wednesdays in the small classroom at the AHC, plus 15 hours observing or participating in educational programs, as specified in the course requirements below.  The Atlanta History Center is located at 130 West Paces Ferry Road NW, Atlanta, Georgia

 

Catalog description

An examination of the educational functions of a museum including interpretive principles and techniques, school programs, adult and community programs, staffing, marketing, and other programming logistics.  This class is taught in association with the Atlanta History Center.

 

Course description

                The goal of this class is to prepare students interested in museum work or in public history with the knowledge and skills they need to plan, implement, and evaluate educational and interpretive programs for the public.  This course is part of the graduate-level museum studies certificate program developed by the UWG History Department and the Atlanta History Center.

                In the spirit of this program, our goal is to present theoretical knowledge and offer practical experience in the museum field to teach students what we would have liked to have known when we entered museum work.  The class will be team taught by a public history professor from UWG and a member of the AHC staff, both of whom bring considerable experience working in the field of museum education and interpretation.  The History Center will serve as a learning laboratory for this class, providing opportunities for students to observe and participate in educational programs and to develop practicum assignments that will be used by the AHC in its on-going programs.  We will have the opportunity to learn from other museum educators, at the AHC and at other institutions throughout the region, and to hear about some of the issues that they face in their work.

                As a graduate seminar, this course will emphasize class discussion and participation as well as the creation of a portfolio.  We will use current writings by museum professionals and supplement these sources (listed below as required books) with additional readings, as appropriate.  Students will undertake a variety of hands-on “practicum” assignments that provide experience in the tasks that a museum educator would undertake and will compile these assignments in a portfolio to turn in at the end of class.  Students interested in a career in museum work or public history are encouraged to blend this portfolio with assignments of portfolios for other classes to use when seeking jobs or other career opportunities.

 

Learning Outcomes

After successfully completing this course, students will be able to demonstrate:

1.             Familiarity with literature in the field of museum education and interpretation;

2.             Knowledge of the theory and ethics of museum education and interpretation;

3.             An understanding of learning theory as it relates to museum education;

4.             A knowledge of the principles of museum education programming, from school groups to adult, family, and community programs;

5.             Knowledge of educational and interpretive techniques, from guided tours to object-based learning and living history interpretation.

6.             Practical skills in museum education through the completion of practicum assignments that mirror real-world experiences in the field, including:

                a.             to plan and prepare budgets for educational and interpretive programs

                b.             to create an interpretive plan

                c.             to produce educational materials for museum programs

                d.            to demonstrate how objects can be used in learning activities

                e.             to participate in 15 hours of educational and interpretive programs and to evaluate how those programs according to professional museum standards.

7.             Knowledge of the Quality Core Curriculum (QCCs) in Georgia and the ways in which school programs should incorporate these standards.

 

Required Readings

These books are available for purchase at the university book store.  All are also available through the American Association of Museums (AAM) Bookstore.  AAM members receive a discount.  Please note that there will also be additional readings assigned throughout the semester.  Copies of these readings will either be provided to you in class or available on electronic reserve.

 

John H. Falk and Lynn D. Dierkling, Learning from Museums:  Visitor Experiences and the Making of Meaning.  Alta Mira Press/American Association of State and Local History (AASLH), 200.

George E. Hein and Mary Alexander, Museums:  Places of Learning.  American Association of Museums Education Committee, Professional Practice Series, 1998.

Barbara Abramoff Levy, Sandra Mackenzie Lloyd, and Susan Porter Schreiber, Great Tours!  Thematic Tours and Guide Training for Historic Sites.  Alta Mira Press, in cooperation with the National Trust for Historic Preservation, 2001.

Bonnie Pitman, editor, Presence of Mind:  Museums and the Spirit of Learning.  American Association of Museums 1999.

Freeman Tilden, Interpreting Our Heritage.  University of North Carolina Press, originally published 1957, reprinted 1977.

 

Course Requirements

 

Class Portfolio (85% of total grade)

                All students will complete a variety of class assignments which will be graded according to the descriptions below.  At the end of the semester, in lieu of a final exam, students will assemble these assignments into a portfolio to be submitted on the final exam date.  A portfolio is a valuable tool to use in demonstrating the skills and knowledge that you have to potential employers.  In preparing the portfolio, think about how you could best demonstrate what you have learned in this class.  You should incorporate some narrative along with your written assignments to show us that you understand the broader field of museum education and interpretation.  We encourage you to be creative in making your portfolio, including items such as photographs of you undertaking some of this work at the AHC.  If you so desire, you may revise any of your class assignments based on comments you may have received from the instructors before placing them in your final portfolio.  We will review your materials again at this time.

 

 

Your portfolio should include the following assignments:

1.             Two program plans with budget (each assignment worth 10%of the final grade) 

You will create ideas for two programs in association with an upcoming exhibit at the Atlanta History Center.  One program will e for students in grade K-12 (you  can choose the appropriate grade level for your program) and the other for another type of audience, again of your choice.  For each program, you will complete an AHC program planning form and create a budget to accompany this proposal.  For the program designed for school children, you will need to determine what QCCs are met through this program.

 

2.             Produce educational materials for one of these programs (10% of final grade) 

For one of the above programs, create one educational material to use in association with that program. 

 

3.             Object-based interpretive assignment (10% of final grade)

Create an object based interpretive tour of one of the AHC exhibits, incorporating at least five objects that have particular meaning for you.

 

4.             Interpretive plan outline for the Conner Brown Trail (15% of final grade)

The AHC is involved in new interpretive endeavors for these sites.  You will create an interpretive plan, following AHC guidelines.

 

5.             Program evaluation for “Sheep to Shawl” (5% of final grade)

Each student is expected to attend this Saturday event at the Tullie Smith farm and evaluate this program.  Students will collect feedback from AHC visitors using an audience survey questionnaire and will then collate and analyze this evaluative date.

 

6.             Documentation of participation in or evaluation of 15 hours of educational programs (15% of final grade)

You will be expected to observe and/or participate in 15 hours of educational programs as part of the “laboratory” component of this course (in addition to the “Sheep to Shawl” program mentioned above.  For each program, write a two-page evaluation based on the criteria that we provide.  Before evaluating the program, be sure that you have a copy of any program goals and objectives so that you can assess to what extent the program met its stated expectation.

                Within these 15 hours, we ask that you sample at least six different types of programs from the following list.  Additional types of programs may be included upon permission of the instructors.  We will provide plenty of opportunities for you to participate in programs at the AHC, and we ask that you participate in at least eight hours or programs here.  The remaining hours must be at a museum other than one at which you might work, if you are currently employed at a museum.  Please use this opportunity to go to see programs that have interested you but which you have never had an excuse to attend or to do something out of the ordinary.

                1.             school program

                2.             adult program

                3.`           family program

                4.             outreach program in the schools

                5.             guided tour at the Tullie Smith Farm or Swan House or  historic home

                6.             living history program

                7.             final arts tour

                8.             garden/horticulture or other science tour

                9.             special event

               

                We encourage you to observe or participate in programs throughout the semester.  Ideally, we would like for you to attend programs in advance of our talking about a specific program, like a guided tour or science or art museum program.  The syllabus includes dates during the semester when a program evaluation is due.

 

Class participation and attendance (15% of the final grade)

                As a graduate seminar, this class emphasizes class discussion and participation.  We expect students to complete the readings in advance of the class and to be prepared to discuss them.  Attendance is also important, as we will be bringing in a variety of guess speakers and incorporating hands-on activities during class throughout the semester.  More than two unexcused absences will lower your final class grade.

 

Tentative Schedule

Please note that additional readings will be required and will be provided in class

 or put on electronic reserve.

 

January 12:          Introduction to class

 

January 19:          Learning theory and styles. 

                                Guest speaker:  Dr. Robert Hilliard, retired professor of education at UWG.

                                Read:  Hein and Alexander 29-46; Falk and Dierkling, vii-89.

 

January 26:          Audience, advocacy, partnerships, and collaborations

                                Read:  Hein and Alexander, pages 5-28; Pittman, 21-35

 

February 2:          Interpretive plans:  historic houses and exhibitions

                                Read:  Tilden xiii-54;  Falk and Dierkling, 113-148; Pittman, 141-149

 

                                Due:  first program evaluation

 

February 9:          Interpretive techniques and object interpretation

                                Read:  Tilden, 57-115; Levy, Lloyd, and Schreiber, 59-80; Pittman 90-95

                                In class:  Object interpretation exercise

 

February 16         Museum Education, school systems, and the QCCs

                                Read:  Falk and Dierkling, 149-218; Pittman, 151-166.

 

February 23:        Guided tours

                                Read:  Levy, Lloyd, and Schreiber 3-56, 81-123.

                                Due:  program evaluation of guided tour

 

March 2:               Adult programs, public programs, and special events

                                Read:  Falk and Dierkling 91-112; Pittman 37-51, 71-78, 133-139.

                                Due:  program plan with budget (assignment #1) for a non-school                 program

 

March 9:               Programs at art, science, and children’s museum program

                                Read:  Pittman 53-69, 970108, 121-131.

                                Due:  program evaluation at one of these museums

 

March 16:             Logistics:  program plans, managing programs, docents, volunteers, and   staff training

                                Read:  Levy, Lloyd, and Schreiber, 127-148.

 

March 23:             No class:  spring break

 

March 30:             Living History

                                Read:  on reserve, to be assigned

                                Due:  evaluation of a living history program

 

April 6:                 Museum outreach programs

                                Due:  interpretive plan for Conner Brown Trail

 

April 13:               Evaluation;  Outcome-based education

                                Read:  to be assigned

 

April 16:               Meet at the AHC to evaluate the Sheep to Shawl program.  Time to be               announced

 

April 27:               Education-related materials and curriculum guides

                                Due:  presentation of your school program and related education material

 

May 4:                   Technology and web-based education;  The future of museum education

                                Reading:  Falk and Dierkling, 219-235;  Pittman, 81-19, 111-119

 

                                Due:  Class portfolios