SPRING 2005
ENGLISH 1102-SECTION 91 
Instructor: Jennifer West
Office: Either faculty office at the Newnan Campus
Office Phone:  (770) 254-7280 
Office Hours: Before and after class or by appointment
Email: jwest@westga.edu
URL: http://www.westga.edu/~jwest

COURSE DESCRIPTION:
English 1102 is a course which serves both as a continuation of ENGL 1101 and an introduction to the study of literature focusing on skills required for reading, interpreting, and writing analytical essays about literature in at least three genres (i.e. fiction, drama, poetry).  In writing, students must demonstrate competency in both explication of literary texts and research-based interpretation.

REQUIRED TEXTS AND MATERIALS:

Michael Meyer’s Thinking and Writing About Literature, 2nd edition 
Kate Chopin’s The Awakening
Chad Davidson's Consolation Miracle

Gregory Fraser's Strange Pietá
Writing Handbook from English 1101


COURSE OBJECTIVES:
By the end of this course, students should have learned 
·   To extend the skills of expository writing and critical thinking established in English 1101. 
·   To read, understand, and interpret fiction, drama, and poetry and write analytically about 
    them. 
·   To understand literary principles and use basic terms important to critical writing and 
    reading. 
·   To construct essays using textual evidence from both primary and secondary sources.

COURSE REQUIREMENTS:
GRADING: All assignments must be completed in order to pass this course.  NOTE: You must earn a letter grade of C or better in order to pass ENGL 1102.

In-class writing, exercises, and quizzes    10%             

Class participation    10%

Essay #1    10%

Midterm    15%

In-Class Essay    15%

Essay #2    20%

Final Exam    20%


ATTENDANCE:
Keep in mind that ten percent of your grade comes from your class participation, quizzes, and in-class assignments.  Although I consider class attendance mandatory, I will not penalize you for your first three absences.  However, each class you miss after the third absence will result in a deduction of five points from your final grade.  Don’t abuse this policy.   In other words, save your absences for unexpected emergencies.  Also, please be in class on time.  Three tardies equal one absence from class.  There is no need to explain your absences from or your tardies to class. 

PARTICIPATION:
Because this course is discussion oriented, you should come to class prepared to discuss the assigned readings.  I expect you to read all assignments before we meet, and I expect you to participate regularly in class discussions.

LATE WORK:
All rough drafts and final drafts are due at the beginning of class on the date assigned.  If you are absent on the day a final draft is due, make the necessary arrangements to deliver the paper on time.  All papers turned in after the deadline will be penalized ten points for each class day they are late.  Also, quizzes will be given at the beginning of class.  No make-up quizzes will be offered.  I will not accept any late in or out of class assignments. 

THE WRITING CENTER:
I encourage you to visit The Writing Center at various points in the writing process.  Regardless of writing skill level, one may always benefit from an intelligent discussion with knowledgeable peers.  The Writing Center is located in TLC 1-201.  To make an appointment, call (678) 839-6513.

THE REGENTS’ EXAMINATION:
The Regents’ Examination is a two-part test of minimum-level reading and writing proficiency.  Students must take this examination after passing English 1102 or after 30 hours of coursework.  In the hour-long written portion of the Regents’ Exam, students are required to write an essay based on personal experience and a general understanding of current events.  The essay is expected to be clearly focused, well articulated, and relatively free from patterns of error; however, no particular studying should be necessary for the exam besides a few general rehearsals, a general cognizance of current events, and close attention to the lessons of English 1101 and 1102.  Students who do not pass the Regents’ Exam by the time they have completed 45 hours of coursework are automatically placed in classes which provide additional writing support. 
General Info:  www.gsu.edu/rtpSample Topics:  www.gsu.edu/~wwwrtp/topics.htm

PLAGIARISM AND ACADEMIC DISHONESTY:
The Department of English and Philosophy defines plagiarism as taking personal credit for the words and ideas of others as they are presented in electronic, print, and verbal sources.  The Department expects that students will accurately credit sources in all assignments.  An equally dishonest practice is fabricating sources or facts; it is another form of misrepresenting the truth.  Plagiarism is grounds for failing the course.  The University policies for handling Academic Dishonesty are found in the following documents: 
Student Undergraduate Catalogue: “Rights and Responsibilities;” Appendix J. 
http://www.westga.edu/handbook/

SPECIAL NEEDS:
If you have a registered disability that will require accommodation, please see me at the beginning of the semester.  If you have a disability that you have not yet registered through the Disabled Student Services Office, please contact Dr. Ann Phillips in 137 Parker Hall at (770) 836-6428.

FORMAT FOR ALL PAPERS:
All drafts and final copies MUST be typed in New Times  Roman, 12 point font using MLA format.  Your writer’s handbook from English 1101 explains MLA format in detail, and we will also briefly review MLA format in class.

 

SPRING ENGLISH 1102 SCHEDULE OF CLASSES

 
 

January

T  11  Course Introduction
TH  13 "The Elements of Fiction," pages 151-174
Kate Chopin’s “The Story of an Hour,” pages 17-20
T 18

Hawthorne’s “Young Goodman Brown,” pages 1246-1255

Hawthorne’s “The Birthmark,” pages 1130-1140 

TH 20

Faulkner’s “Barn Burning,” pages 83-96

Faulkner’s “A Rose for Emily,” pages 143-150

T 25 Flannery O’Connor’s “Good Country People,” pages 803-816
TH 27  “Reading and Writing About Poetry” Poem explication workshop
 

February

T 1 

“The Love Song of J. Alfred Prufrock,” pages 1280-1284

Assign Essay #1

TH 3 Kate Chopin’s The Awakening, Chapters 1-12
T 8

Christopher Marlowe’s “The Passionate Shepherd to His Love,” page 836

Sir Walter Raleigh’s “The Nymph’s Reply to the Shepherd,” (handout)

Robert Herrick’s “To the Virgins, to Make Much of Time,” page 832

TH 10

Marvell’s “To His Coy Mistress,” page 230

Donne's "The Flea," page 831

Browning’s “My Last Duchess,” page 827

T 15

Essay #1 Due

Kate Chopin’s The Awakening, Chapters 13-26

TH 17  Arnold's "Dover Beach," page 235
T 22 Walt Whitman and Emily Dickinson, Handouts
TH 24 Kate Chopin’s The Awakening, Chapters 27-39
 

March

T  1 In-Class Essay on The Awakening
TH  3 

Paul Laurence Dunbar and Langston Hughes, handouts

Midterm Review

T 8 Midterm

TH 10

Davidson's Consolation Miracle, selected poems

T 15

Greek Drama and Sophocles' Oedipus the King, pages 286-313

TH 17

Oedipus the King, pages 314-334

T 22

Spring Break

TH 24

Spring Break

T 29

Gregory Fraser's Strange Pietá, selected poems

TH 31

Elizabethan Drama and William Shakespeare
A Midsummer Night’s Dream, background on pages 335-344

Assign Essay #2

 

 

April

T 5 A Midsummer Night's Dream, Act I, pages 851-861
TH 7  A Midsummer Night’s Dream, Acts II and III, pages 861-889
T 12 A Midsummer Night’s Dream, Acts IV and V, pages 889-906
TH 14 Finish discussion on A Midsummer Night's Dream and video
T 19 Bring a typed copy of your rough draft for essay #2 to class for peer editing workshop
TH 21

Earnest Hemingway’s “Soldier’s Home” and Tim O’Brien’s “How to Tell A True War Story,” pages 579-583 and 1149-1158

Essay #2 Due

T 26

Jonathan Swift's A Modest Proposal

George Orwell's Shooting an Elephant

TH  28 Last Day of Class
Review for Final Exam
 

May

 
T 10 FINAL EXAM (5:30 - 7:30)

Return to my homepage