SPRING 2008
ENGLISH 1102—Composition II, sections 2 and 8: Families and Relationships
Office: Humanities 153
Office Phone: 678-839-4155
Office Hours: Wed. 12.30-4.30, Thurs. 9.00-12.00, and by appointment
E-mail: lpropst@westga.edu
Course Description and Learning Outcomes
People tell stories all the time: through conversations, e-mails, books, actions, and gestures. This course centers on stories about families and relationships. It ranges across poetry, drama, fiction, and film from several periods and cultures. Throughout the semester, you will continually write and revise your work, edit your classmates’ writing, and discuss your reactions to the stories you encounter.
The course serves as a continuation of English 1101 and as an introduction to more sophisticated study of argument and textual analysis, focusing on the composition of increasingly complex analytical essays about written and visual texts. Students must demonstrate advanced competency in critical analysis and interpretation of texts. General and specific learning outcomes are listed in the department website:
http://www.westga.edu/%7Eengdept/FirstYearWriting/ENGL1101and1102/English1102CourseDescription.htm
COURSE MATERIALS, ASSIGNMENTS & GRADING
Required Texts:
· Elaine Maimon, Janice Peritz, and Kathleen Yancey (eds.), A Writer's Resource: A Handbook for Writing and Research, 2nd edition (Boston: McGraw Hill, 2007)
· Alice Munro, Away From Her (London: Vintage, 2007)
· Amy Tan, The Joy Luck Club (New York: Penguin, 2006)
· Chinua Achebe, Things Fall Apart (New York: Anchor, 1994)
· Two films: Short Cuts (1993), dir. Robert Altman, and Igby Goes Down (2002), dir. Burr Steers
· Short readings which will be available online.
All texts are available at the UWG bookstore.
Other Materials:
· A college-level dictionary
· A stapler
· Internet access, a UWG e-mail account, and a reliable printer
· A thumb drive to save work for class
Assignments:
· Four 1250-1500 word essays written outside of class. Each of these essays will make use of revising opportunities. Your last two essays must incorporate secondary research. You can find details about the requirements of these essays at: http://www.westga.edu/~engdept/FirstYearWriting/ENGL1101and1102/OutOfClassWritingAssessment.htm
· Two sixty-minute in-class essays, one in week 9 and one in week 17. Details about the in-class essay and the grading scale are available at: http://www.westga.edu/~engdept/FirstYearWriting/ENGL1101and1102/InClassWritingAssessment.htm
· In-class writing exercises, quizzes, peer editing, and short homework assignments
Grading:
All assignments must be completed in order to pass this course. NOTE: You must earn a letter grade of C or better in order to pass ENGL 1102.
In-class writing, quizzes, and short homework assignments 5%
Class participation 5%
Essay 1 10%
Essay 2 15%
Essay 3 20%
Essay 4 25%
In-Class Essay 1 5%
In-Class Essay 2 15%
Numerical grade equivalents: A+ = 98; A = 95; A- = 91; B+ = 88; B = 85; B- = 81; C+ = 78; C = 75; C- = 71; D+ = 68; D = 65; D- = 61; F = 50
COURSEWORK POLICIES
The Writing Center:
I encourage you to visit The Writing Center at various points in the writing process. Regardless of writing skill level, one may always benefit from an intelligent discussion with knowledgeable peers. The Writing Center is located in TLC 1-208. To make an appointment, call (678) 839-6513.
I encourage you to meet with me during my office hours any time you have questions or would like to discuss the course. If you cannot make it to my office hours, set up an appointment to meet with me at another time. You are also welcome to drop by my office, outside of scheduled office hours, whenever I am there. I welcome e-mail correspondence. However, e-mail cannot replace an actual meeting. It is difficult to respond to your questions and needs solely through e-mail, especially if your questions are general. E-mail is most effective when you have specific questions that don’t require in-depth discussion.
The Regents’ Examination:
The Regents’ Examination is a two-part test of minimum-level reading and writing proficiency. Students must take this examination after passing English 1102 or after 30 hours of coursework. In the hour-long written portion of the Regents’ Exam, students are required to write an essay based on personal experience and a general understanding of current events. The essay is expected to be clearly focused, well articulated, and relatively free from patterns of error; however, no particular studying should be necessary for the exam besides a few general rehearsals, a general cognizance of current events, and close attention to the lessons of English 1101 and 1102. Students who do not pass the Regents’ Exam by the time they have completed 45 hours of coursework are automatically placed in classes which provide additional writing support.
General Info: http://www.gsu.edu/rtp
Sample Topics: http://www.gsu.edu/~wwwrtp/topics.htm
Plagiarism & Academic Dishonesty:
The Department of English and Philosophy defines plagiarism as taking personal credit for the words and ideas of others as they are presented in electronic, print, and verbal sources. The Department expects that students will accurately credit sources in all assignments. An equally dishonest practice is fabricating sources or facts; it is another form of misrepresenting the truth. Plagiarism is grounds for failing the course.
You can find information about the University policies for handling Academic Dishonesty in the student handbook: http://www.westga.edu/assets/docs/studentHandbook2007.pdf (see “Student Rights and Responsibilities”).
The department of English has assembled the following resources to help prevent plagiarism: http://www.westga.edu/~engdept/Plagiarism/index.html
Excessive Collaboration:
By the end of the term, students should demonstrate the ability to produce
independent writing (writing without collaborative assistance of peers, writing
tutors, or professionals in the field) that shows a level of competency in both
ENGL 1101 and 1102. Although classroom activities and out-of-class assignments
may highlight collaborative learning and collaborative research, excessive
collaboration (collaboration that results in the loss of a student's voice/style
and original claims to course-related work) is considered another form of
academic dishonesty and therefore will not be permitted.
Late Work:
I will deduct ten percent from the overall grade of the assignment for each day (not each class period) that an assignment is late. This means that if you submit your essay up to 24 hours late, it will lose ten percent; if you submit it between 24 and 48 hours late, it will lost twenty percent; etc. An essay is late if it is not submitted to me at the beginning of the class period. I will not accept assignments more than one week past the deadline. If you find it necessary to miss class on a day that work is due, you should submit your work to me before the class period in order to avoid losing marks. All assignments must be submitted in hard copy unless I specifically approve e-mail submission in advance. Extensions may be granted, at my discretion, only under exceptional circumstances (for example, medical emergencies). If you have a serious problem that will affect your ability to complete your work on time, talk to me about it as early as possible.
Revision Policy:
You may revise and resubmit any out-of-class essay that earns a C- or lower, provided that you originally submitted your essay on time and that you participated fully in peer editing (i.e. you had a full-length essay on peer editing day, you peer edited someone's essay, and someone peer edited yours). Your revision is due one week after you receive your graded paper. The revision will receive no higher than a C+. Some revisions may result in a lower grade. In this case, I will count the higher of the two grades. If you choose to revise and resubmit a paper, I encourage you to consult me AND the writing center during your revision process.
Format for All Papers:
All work should be typed and stapled, in 12-point Times New Roman font, with 1-inch margins, and should use MLA format.
Extra Credit and Previous Work Policy
· There is no extra credit work in this course
· Work completed for another class will not be accepted for fulfilling the requirements of this course.
IMPORTANT DATES:
Due Dates:
Mon. Feb. 11 Out-of-Class Essay #1: Final Draft
Fri. Feb. 29 Out-of-Class Essay #2: Final Draft
Fri. Mar. 7 In-Class Essay #1
Wed. Apr. 2 Out-of-Class Essay #3: Final Draft
Fri. Apr. 25 Out-of-Class Essay #4: Final Draft
Wed. Apr. 30 In-Class Essay #2
Holidays:
Mon. Jan. 21 No classes: Martin Luther King Day
Sat. Mar. 15 to Sat. Mar. 22 No classes: Spring Break
CLASSROOM POLICIES
Attendance Requirements:
Students will be administratively withdrawn from class based on the following
attendance policy. For classes that meet three times a week, a student is
allowed four absences. Upon the fifth absence, the student will be withdrawn.
For classes that meet twice a week, a student is allowed three absences. Upon
the fourth absence, the student will be withdrawn. Be aware that no distinction
exists between excused and unexcused absences.
Communication Policy:
The official communication method for this class will be through campus e-mail (MyUWG). You will be responsible for checking your MyUWG email, since I will be using that address to correspond with you. You should also look under “My Courses” on your MyUWG for relevant files, announcements and so on.
Disruptive Behavior:
Students will be administratively withdrawn from class for exhibiting behavior
that disrupts the learning environment of others. Such behavior includes—but is
not limited to—arriving late for class, allowing cell phones to ring, speaking
disrespectfully to the instructor and/or to other students, checking email or
surfing the web, and using personal audio or video devices. If you miss a quiz
or a written exercise because of lateness, you cannot make it up.
If you are sleeping during class, I will count you as absent.
Participation:
Participation is essential to your success in this course. Five percent of your grade is based on it. Participation does not mean right answers or brilliant comments; it includes any productive contribution to class discussion. Making thoughtful comments on the class material, asking questions, and responding supportively to your classmates all count.
Special Needs:
If you have a registered disability that will require accommodation, please see me at the beginning of the semester. If you have a disability that you have not yet registered through the Disabled Student Services Office, please contact Dr. Ann Phillips in 137 Parker Hall at (770) 836-6428.
COURSE CALENDAR
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Week 1 |
Wednesday 1 / 9 Introduction
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Husbands, Wives, and Lovers
Friday 1 / 11 Agatha Christie, “Witness for the Prosecution”
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Week 2 |
Monday 1 / 14 The “rules” of detective fiction: Agatha Christie, “The Mystery of the Bagdad Chest”
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Wednesday 1 / 16 The three Ied monster
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Friday 1 / 18 Citations and MLA format
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Week 3 |
Monday 1 / 21 Martin Luther King Day – no class
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Wednesday 1 / 23 Introductions, thesis statements, and conclusions. Homework exercise on Citations in MLA Format due (ENGL 1102-08 ONLY)
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Friday 1 / 25 Introductions, thesis statements, and conclusions (cont'd) Homework exercise on Citations in MLA Format due (ENGL 1102-02 ONLY)
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Week 4 |
Monday 1 / 28 Film clips and discussion: What is love?
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Wednesday 1 / 30 Shakespeare, “Let Me Not To the Marriage of True Minds” http://rpo.library.utoronto.ca/poem/1871.html Essay 1: introductory paragraph and topic sentences due.
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Friday 2 / 1 Donne, “To His Mistress Going to Bed”; http://www.luminarium.org/sevenlit/donne/elegy20.htm Shakespeare, “My Mistress' Eyes are Nothing Like the Sun” http://rpo.library.utoronto.ca/poem/1873.html Homework Exercise #2 on Citations in MLA Format due (ENGL 1102-02 and 1102-08)
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Week 5 |
Monday 2 / 4 Rainer Maria Rilke, “Time and Again”; Octavio Paz, “Touch”; Pablo Neruda, “Love Sonnet 40”; Margaret Atwood, “Habitation”
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Wednesday 2/ 6 Alice Munro, Away from Her (1-32, until “ 'A What?' said Kristy”)
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Friday 2 / 8 Peer editing Essay 1, draft 1 due.
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Week 6 |
Monday 2 / 11 Away from Her (32-76) Essay 1, final draft due. Essay 1 topics
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Wednesday 2 / 13 Conclude discussion on Away from Her
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Friday 2 / 15 Euripides, Medea (lines 1-662) http://www.stoa.org/diotima/anthology/medea.trans.shtml Friday 2 / 15 ONLY: Change of location: ENGL 1102-02 will be in Pafford 105; ENGL 1102-08 will be in Pafford 208
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Week 7 |
Monday 2 / 18 Medea (lines 662-1419) http://www.stoa.org/diotima/anthology/medea.trans.shtml Medea homework assignment due.
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Wednesday 2/ 20 Conclude discussion on Medea
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Friday 2 / 22 Comparing and contrasting
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Week 8 |
Parents and Children
Monday 2 / 25 Introduction to Semiotics |
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Wednesday 2 / 27 “The Story of Grandmother” (oral folk tale) http://www.sjsu.edu/faculty/harris/StudentProjects/Student_FairyTales/WebProject/Fairy%20Tales/The%20Story%20of%20Grandmother.htm and Charles Perrault, “Little Red Riding Hood” http://www.sjsu.edu/faculty/harris/StudentProjects/Student_FairyTales/WebProject/Fairy%20Tales/little%20red%20riding%20hood.htm |
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Friday 2 / 29 Modern fairy tales: Roald Dahl, "Little Red Riding Hood and the Wolf" http://www.xs4all.nl/~ace/Literaria/Txt-Dahl.html
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Week 9 |
Monday 3 / 3 Peer editing Essay 2, draft 1 due
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Wednesday 3/ 5 Angela Carter, “The Werewolf” (on docutek)
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Friday 3 / 7 Amy Tan, The Joy Luck Club (1-48) (you don't have to read all the way to p. 84) Essay 2, final draft due. Essay 2 Topics Optional revisions of Essay 1 due (ENGL 1102-02 and 1102-08 ONLY) for max. grade of C+
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Week 10 |
Monday 3 / 10 In-class essay
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Wednesday 3 / 12 The Joy Luck Club (49-84)
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Friday 3 / 14 The Joy Luck Club (85-145) Essay 3: Step 1: Sign Identification and Set of Related Driving Theoretical Questions due.
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Week 11 |
Spring Break, no class
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Week 12 |
Monday 3 / 24 The Joy Luck Club (146-288)
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Wednesday 3 / 26 The Joy Luck Club
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Friday 3 / 28 Conclude discussion on The Joy Luck Club Essay 3: Step 2: Five Analytical Responses in 8-point Font (at least one full page) due.
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Week 13 |
Monday 3 / 31 Igby Goes Down
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Wednesday 4 / 2 Essay workshop
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Friday 4 / 4 Igby Goes Down Essay 3: Final Presentation and Completed Paper in Proper MLA Format due.
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Week 14 |
Monday 4 / 7 Igby Goes Down
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Friends and Strangers
Wednesday 4 / 9 Raymond Carver, “So Much Water So Close to Home” (in your copy of the book, Short Cuts, and on docutek)
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Friday 4 / 11 Raymond Carver, “A Small, Good Thing”
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Week 15 |
Monday 4 / 14 Short Cuts Essay 4: Step 1: Sign Identification and Set of Related Driving Theoretical Questions due.
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Wednesday 4 / 16 Short Cuts
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Friday 4 / 18 Chinua Achebe, Things Fall Apart (1-74) Essay 4: Step 2: Five Analytical Responses in 8-point Font (at least one full page) due.
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Week 16 |
Monday 4 / 21 Things Fall Apart (75-147)
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Wednesday 4 / 23 Peer editing Essay 4, draft 1 due.
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Friday 4 / 25 Things Fall Apart (148-209) Essay 4: Step 3: Final Presentation and Completed Paper in Proper MLA Format due.
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Week 17 |
Monday 4 / 28 Conclude discussion on Things Fall Apart
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Wednesday 4 / 30 Final in-class essay |