SPRING 2008
ENGLISH 2110—World Literature (Section 1)
Office: Humanities 153
Office Phone: 678-839-4155
Office Hours: Wed. 12.30-4.30, Thurs. 9.00-12.00, and by appointment
E-mail: lpropst@westga.edu
Course Description AND LEARNING OUTCOMES
This course analyzes narratives about changing cultural identities and meetings between cultures. It covers texts spanning four continents and more than 3000 years – from tales of mythic Greek journeys to Celtic legends to contemporary literature from Africa, Asia, and the Americas. These narratives chart what Salman Rushdie describes as “the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs.” They trace people’s efforts to translate the customs of one society into the language and ideas of another. They ask how people’s identities change when they are separated from familiar places and mementoes. As the course unfolds, we will consider the place of these narratives in literary history and ask what it means to classify a group of texts as “world literature.”
Relationship of course goals to program goals
COURSE MATERIALS, ASSIGNMENTS & GRADING
Required Texts:
· Shakespeare, William. The Tempest. Eds. Alden T. Vaughan and Virginia Mason Vaughan. London: Arden, 1999. ISBN 1903436087.
· Rhys, Jean. Wide Sargasso Sea. Ed. Judith L. Raiskin. Norton Critical Edition. London: Norton, 1999. ISBN 0393960129.
· Achebe, Chinua. Things Fall Apart. New York: Anchor, 1994. ISBN 0385474547.
· Short readings which will be available online
· You will also be responsible for watching the 1996 film version of Jane Eyre, either at an out-of-class screening organized by Dr. Propst or on your own time. A copy will be on reserve at the library.
Other Materials:
· A college-level dictionary
· A stapler
· Internet access, a UWG e-mail account, and a reliable printer
· A flash drive to save work for class
Assignments:
· Two 5-6 page out-of-class essays. You can read the department grading rubric for essays 2000 level and above at: http://www.westga.edu/~engdept/fr/Ruby.doc
· Two seventy-five minute exams, one in week 9 and one on the last day of class
· In-class writing exercises, quizzes, peer editing, and short homework assignments
· Class participation
Grading:
All assignments must be completed in order to pass this course.
In-class writing, quizzes, and short homework assignments 5%
Class participation 5%
Essay 1 25%
Essay 2 25%
Midterm Exam 20%
Final Exam 20%
Numerical grade equivalents: A+ = 98; A = 95; A- = 91; B+ = 88; B = 85; B- = 81; C+ = 78; C = 75; C- = 71; D+ = 68; D = 65; D- = 61; F = 50
COURSEWORK POLICIES
Office Hours and E-mail:
I encourage you to meet with me during my office hours any time you have questions or would like to discuss the course. If you cannot make it to my office hours, set up an appointment to meet with me at another time. You are also welcome to drop by my office, outside of scheduled office hours, whenever I am there. I welcome e-mail correspondence. However, e-mail cannot replace an actual meeting. It is difficult to respond to your questions and needs solely through e-mail, especially if your questions are general. E-mail is most effective when you have specific questions that don’t require in-depth discussion.
Plagiarism & Academic Dishonesty:
The Department of English and Philosophy defines plagiarism as taking personal credit for the words and ideas of others as they are presented in electronic, print, and verbal sources. The Department expects that students will accurately credit sources in all assignments. An equally dishonest practice is fabricating sources or facts; it is another form of misrepresenting the truth. Plagiarism is grounds for failing the course.
You can find information about the University policies for handling Academic Dishonesty in the student handbook: http://www.westga.edu/assets/docs/studentHandbook2007.pdf (see “Student Rights and Responsibilities”).
The department of English has assembled the following resources to help prevent plagiarism: http://www.westga.edu/~engdept/Plagiarism/index.html
Excessive Collaboration:
You are expected to produce independent writing. Although classroom activities
and out-of-class assignments may highlight collaborative learning and
collaborative research, excessive collaboration (collaboration that results in
the loss of a student's voice/style and original claims to course-related work)
is considered another form of academic dishonesty and therefore will not be
permitted.
Late Work:
I will deduct ten percent from the overall grade of an essay for each day (not each class period) that an essay is late. This means that if you submit your essay up to 24 hours late, it will lose ten percent; if you submit it between 24 and 48 hours late, it will lose twenty percent, etc. An essay is late if it is not submitted to me at the beginning of the class period. I will not accept assignments more than one week past the deadline. If you find it necessary to miss class on a day that work is due, you should submit your work to me before the class period in order to avoid losing marks. All assignments must be submitted in hard copy unless I specifically approve e-mail submission in advance. Extensions may be granted, at my discretion, only under exceptional circumstances (for example, medical emergencies) and only if you consult me in advance of the due date. If you have a serious problem that will affect your ability to complete your work on time, talk to me about it as early as possible.
Revision Policy:
You may revise and resubmit any out-of-class essay that earns a C- or lower, provided that you originally submitted your essay on time and that you participated fully in peer editing (i.e. you had a full-length essay on peer editing day, you peer edited someone's essay, and someone peer edited yours). Your revision is due one week after you receive your graded paper. The revision can receive no higher than a C+. Some revisions may result in a lower grade. In this case, I will count the higher of the two grades. If you choose to revise and resubmit a paper, I encourage you to consult me during your revision process.
The Writing Center:
I encourage you to visit The Writing Center at various points in the writing process. Regardless of writing skill level, one may always benefit from an intelligent discussion with knowledgeable peers. The Writing Center is located in TLC 1-208. To make an appointment, call (678) 839-6513.
Format for All Papers:
All work should be typed and stapled, in 12-point Times New Roman font, with 1-inch margins, and should use MLA format.
Extra Credit and Previous Work Policy
· There is no extra credit work in this course
· Work completed for another class will not be accepted for fulfilling the requirements of this course.
IMPORTANT DATES:
Due Dates:
Tues. Feb. 12 Out-of-Class Essay #1: Final Draft
Thurs. Apr. 3 Out-of-Class Essay #2: Final Draft
Thurs. Mar. 6 Midterm Exam
Tues. Apr. 29 Final Exam
Holidays:
Tues. Mar. 18 and Thurs. Mar. 20 No classes: Spring break
CLASSROOM POLICIES
Attendance Requirements:
You are expected to attend every class, arrive on time, and be prepared to
discuss the reading. Because attendance and participation are important to your
success in this course, students will be allowed only four absences; any student
who misses five classes will be withdrawn from the course. There will be no
distinction between excused and unexcused absences.
Communication Policy:
The official communication method for this class will be through campus e-mail (MyUWG). You will be responsible for checking your MyUWG email, since I will be using that address to correspond with you. You should also look under “My Courses” on your MyUWG for relevant files, announcements and so on.
Disruptive Behavior:
Students will be administratively withdrawn from class for exhibiting behavior
that disrupts the learning environment of others. Such behavior includes—but is
not limited to—arriving late for class, allowing cell phones to ring, speaking
disrespectfully to the instructor and/or to other students, checking email or
surfing the web, and using personal audio or video devices. If you miss a quiz
or a written exercise because of lateness, you cannot make it up.
If you are sleeping during class, I will count you as absent.
Participation:
Participation is essential to your success in this course. Five percent of your grade is based on it. Participation does not mean right answers or brilliant comments; it includes any productive contribution to class discussion. Making thoughtful comments on the class material, asking questions, and responding supportively to your classmates all count.
Special Needs:
If you have a registered disability that will require accommodation, please see me at the beginning of the semester. If you have a disability that you have not yet registered through the Disabled Student Services Office, please contact Dr. Ann Phillips in 137 Parker Hall at (770) 836-6428.
COURSE CALENDAR
|
Week 1 |
Thursday 1 / 10 Introduction
|
|
Week 2
|
Tuesday 1 / 15 Old Testament: Genesis, chapters 1-3, 6-9 |
|
|
Thursday 1 / 17 Homer, The Odyssey, book IX (docutek)
|
|
Week 3 |
Tuesday 1 / 22 Virgil, The Aeneid, books I and IV (docutek)
|
|
|
Thursday 1 / 24 New Testament: Matthew, chapters 5-7
|
|
Week 4 |
Tuesday 1 / 29 Class cancelled
|
|
|
Thursday 1 / 31 "The Mabinogi of Pwyll", also known as "Pwyll Lord of Dyved" (Celtic legend) (docutek) |
|
Week 5 |
Tuesday 2 / 5 Geoffrey of Monmouth, "Arthur of Britain," from The History of the Kings of Britain (docutek); Dante, The Inferno, books 1-4 (the Dante readings are on docutek in 2 separate pdf's: the first includes books 1-7; the second includes books 8, 26, and 34. You only need to read books 1-4 for Tuesday's class. Much of the material is explanatory notes, which you can skim.)
|
|
|
Thursday 2 / 7 The Inferno, books 5-8, 26, and 34 (docutek)
|
|
Week 6 |
Tuesday 2 / 12 The Inferno (cont'd) |
|
|
Thursday 2 / 14 Peer editing Essay 1, draft 1 due
|
|
Week 7 |
Tuesday 2 / 19 Michel de Montaigne, "On Cannibals" -- new link: http://victorianweb.org/courses/nonfiction/montaigne/cannibals.html -- and The Tempest (act 1) Essay 1, final draft due. Essay 1 Assignment
|
|
|
Thursday 2 / 21 The Tempest (acts 2-3)
|
|
Week 8 |
Tuesday 2 / 26 The Tempest (acts 4-5)
|
|
|
Thursday 2 / 28 No new reading.
|
|
Week 9 |
Tuesday 3 / 4 Read from "The Story of the Merchant and the Jinni" to "The Story of the Fisherman" in Stories from the Thousand and One Nights http://www.bartleby.com/16/ (that's "Nights 1-3" and the first story from "Nights 3-9." I know it ends in mid-sentence). Also read R. L. Stevenson, “The Bottle Imp” http://gaslight.mtroyal.ab.ca/bottlimp.htm (THIS IS THE CORRECT LINK.) No Voltaire text. 7 PM Screening: Jane Eyre, HUM 208.
|
|
|
Thursday 3 / 6 Midterm Exam
|
|
Week 10 |
Tuesday 3 / 11 Jane Eyre (1996 film) Optional revisions of Essay 1 due for max. grade of C+
|
|
|
Thursday 3 / 13 Jean Rhys, Wide Sargasso Sea (9-37)
|
|
Week 11 |
Spring Break, no class
|
|
Week 12 |
Tuesday 3 / 25 Wide Sargasso Sea (38-71)
|
|
|
Thursday 3 / 27 Wide Sargasso Sea (71-112)
|
|
Week 13 |
Tuesday 4 / 1 Chinua Achebe, Things Fall Apart (1-74)
|
|
|
Thursday 4 / 3 Class cancelled so you can go to the English Department Undergraduate Conference. You must attend one panel. Homework on Things Fall Apart: read up to p. 147 and e-mail me 2 thought-provoking discussion questions by the end of the day (you don't have to answer the questions; just ask them).
|
|
Week 14 |
Tuesday 4 / 8 Peer editing Essay 2, draft 1 due
|
|
|
Thursday 4 / 10 Things Fall Apart (148-209) Essay 2, final draft due. Essay 2 assignment
|
|
Week 15 |
Tuesday 4 / 15 Haruki Murakami, “Lederhosen” http://www.geocities.jp/yoshio_osakabe/Haruki/Books/Lederhosen.html
|
|
|
Thursday 4 / 17 Lorraine López, “Soy la Avon Lady” (docutek)
|
|
Week 16 |
Tuesday 4 / 22 Jhumpa Lahiri, “When Mr. Pirzada Came to Dine” (docutek)
|
|
|
Thursday 4 / 24 Review
|
|
Week 17 |
Tuesday 4 / 29 Final Exam |