THEA 2214 Concepts in Theatre Design

Fall 2004

T R      12:30 – 1:45pm

Martha Munro  Room 111

 

 

Instructor: Alan Yeong

Office Room: Martha Munro Room 204A

Office Hours: 9am – 11am (MWF); 10:00am – 12:00pm (TR)

Costume Shop Hours: 2:30 – 5:30 pm (MTWRF) -- by appointment only

Office Phone # (770) 838-3068          

Scene/Costume Shop Phone # (770) 838-3144

Email: ayeong@westga.edu

 

 

Course Description:

Visual images have become an integral part of our daily routines and technological advancements in the 21st century. All modern professions incorporate visual images to communicate literal or conceptual ideas to audiences. This course, Concepts in Theatre Design is a study of visual literacy, and visual and verbal communication. We will study a variety of designs found in theatre, film, and other fine arts media. This course is designed to be a general introduction to stage design for theatre and non-theatre majors. Emphasis will be on the theatre design process from inception to performance, play analysis, visual arts analysis, research skills, and the application of principles and elements of design.

 

Required Texts:

Jones, Robert Edmund. The Dramatic Imagination         Theatre Arts Books

Anouilh, Jean.                           Antigone

 

Required Article Readings:

Handout #1      Who Needs Theatre?

Handout #2      Living Art/Dead Nature

Handout #3      The Art of Living Theatre

Handout #4      The Work of Living Art

Handout #5      The Art of Theatre: The First Dialogue

Handout #6      Principles and Elements of Design

Handout #7      They Got Look

Handout #8      Action Design

Handout #9      Art Direction/Production Designer

Note: Please refer to class schedule for the availability of the required handout readings.

 

Recommended Text:

Maimon, Elaine P. and Janice H. Peritz.            A Writer’s Resource: A Handbook For Writing And Research              UWG Edition

 

 

 

Course Learning Outcomes:

  1. Students will recognize the importance of play analysis in designing.
  2. Students will develop analytical and conceptual thinking in designing.
  3. Students will apply the dynamics of good design through the works of established designers.
  4. Students will identify the fundamentals of design process.
  5. Students will identify and synthesize points of view and design approaches.
  6. Students will recognize the role of individual design areas such as scenic, costumes, and lighting designer.
  7. Students will develop and apply visual literacy skills to fine arts, mass media, film, theatre, and everyday life.

 

Learning Degree Outcomes:

Corresponding to B.A. in Theatre degree:

  1. Students will be able to critically understand basic knowledge of theatre history, theory, and criticism, as well as research sources and methodology.
  2. Students will develop skill in analyzing plays, using theatre technology, and conducting research.
  3. Students will express through performance, writing, speaking, and other modes of communication the results of research and critical judgment, indicated by a demonstrable ability to reach an audience effectively through at least one of the components of theatrical art (acting, directing, designing, playwriting, etc.).
  4. Students will have the ability to apply skills they learned in courses to a variety of work and social environments.

 

Course Requirements/Expectations:

  1. There will a midterm and one pop quiz in this course.
  2. You are allowed two excused absences. You are required to support your third or future unexcused absences with valid documentation or with the consent of the instructor. However, the third and future absences will result in grade reduction, 5% of the attendance points per absences.
  3. There will be a series of small class projects assigned to support class lectures.
  4. All class projects must be turned in on the agreed deadline. All late projects will be reduced one letter grade per day after the assigned deadline.
  5. You are required to attend all departmental productions.  You are required to write one production critique paper of the two attended productions.
  6. Attend at least one production meeting, technical rehearsal, or dress rehearsal or all three. You will be awarded extra credit for this requirement. Please check with instructor for specific meeting/tech rehearsal dates.

****Note: Syllabus schedule is subject to change. It is the student’s responsibility to get the changes.

 

 

 

 

 

Department Performance Dates:

 

Noises Off                                                 Oct. 6 – 9, 7:30pm & Oct.10, 2:30pm

 

    Dimly Perceived Threats To The System    Nov. 17 – 20, 7:30pm & Nov. 21, 2:30pm

 

Grading:

 

Attendance and Participation

30 points

 

Grading Scale

 

A   900 -- 801

B   800 -- 701

C   700 -- 601

D   600 -- 501

F   500 -- 000

 

Extra credit

 +5% Overall Final Grade

Project #1 – Typography Exercise

50 points

Project #2 – Which Ad Pulled Best?

50 points

Project #3 – Concept Statement

50 points

Project #4 – Emotion Collage

50 points

Project #5 – Black Squares

50 points

Project #6 – Composition

50 points

Project #7 – Road Signs

50 points

Project #8 – Designer profile

100 points

Pop Quiz

20 points

Midterm

100 points

Critique paper

100 points

Final Project

200 points

 

 

 

Class Projects:

 

Project #1

Unconscious Emotions—Typography Exercise

  1. You are to associate a list of words with typeface that would illustrate the mood of the given words.
  2. Refer class schedule for project deadline.

 

Project #2

Which Ad Pulled Best?

  1. This is an in-class project. If you are absent during this project, you will not be allowed to retake it.
  2. You will be given two nationally advertised magazine advertisements to analyze.
  3. You will have to analyze the effectiveness of the advertisements based on its visual concept and targeted audience.

 

Project #3

Concept Statement

  1. Read and analyze Antigone.
  2. A typed single-spaced, one page paper detailing your design ideas.
  3. Font size between 11 to 12 fonts. Typeface Times Roman or Garamond or Palatino.
  4. You are to support your design ideas with your play analysis based on historical or evocative research materials.
  5. Refer class schedule for project deadline.

 

Project #4

Emotion Collage

  1. You are to choose a character from Antigone and display the chosen character’s emotion.
  2. Then create a pictorial collage to depict the chosen emotion.
  3. Examples of emotions—anger, joy, sad, anxiety, frustration, depression, and so forth.
  4. The collage must be mounted on an 18”X24(minimal size) foam core.
  5. Refer class schedule for project deadline.

 

Project #5

Black Squares

  1. You will have to use four black squares of the same dimensions to create a graphic image that best expresses the meaning of each of the following given words.
  2. You are to make four preliminary sketches for each word in the areas indicated.
  3. Then select the most effective solution and execute it in the larger designated area.
  4. A handout will be provided in class to assist you in this project.
  5. Refer class schedule for project deadline.

 

Project #6

Composition

  1. You will create a composition using three objects – a triangle, a rectangular, and a circle.
  2. You are not to repeat any of the above-mentioned objects to aide your composition.
  3. The composition can be a three dimensional or two dimensional compositions. Therefore, you have freedom to use any media for your composition.
  4. You are not allowed to render any texture on the object’s surface. However, you are allowed to use any objects that have textures.
  5. You must name your composition.
  6. Refer class schedule for project deadline.

 

Project #7

Road Signs

  1. The primary function of road signs is practical communication and road safety.
  2. With this in mind, graphically depict the subject indicated for each of the six road signs on the assignment sheet.
  3. Execute each solution as a finished piece in black. If your concept permits, you are allowed to use one additional color.
  4. Refer class schedule for project deadline.

Project #8

Designer Profile

  1. Choose a designer from the list provided below.
  2. You are to research the designer’s contributions and/or innovations to the artiste’s field of work.
  3. You must make an in-class PowerPoint© presentation.
  4. You must provides copies of PowerPoint© presentation to your classmates.
  5. Please focus your PowerPoint presentation to images rather than narratives.
  6. Please have at least 6 visual slides in your presentation.
  7. You are to support your class handouts with a detailed bibliography.
  8. You are allotted 10 minutes for the presentation.
  9. The following is a list of established designers. Please choose ONE designer listed here. You must have approval from the instructor before you can start the project.
  10. You will have to sign up for a time slot for the presentation.
  11. Refer class schedule for project deadline.

Possible Designer profile/contributions:

Inigo Jones, Adolphe Appia, Edward Gordon Craig, Boris Aronson, Norman Bel Geddes, Mordecai Gorelik, Robert Edmond Jones, Jo Mielziner, Donald Oenslager, Lee Simonson, William Cameron Menzies, Ming Cho Lee, Santo Loquasto, Tony Walton, John Lee Beatty, Joseph Svoboda, Julie Taymore, Vivienne Westwood, Betsy Johnson, Alexander McQueen, John Galliano, Jean Paul Gaultier, Issey Miyake, Eiko Ishioka, Jaroslav Malina

 

 

Final Project

  1. This is an oral and written project.
  2. This is a group project.
  3. This project consists of 2 or more students per group (will be determined by class enrollment).
  4. You are to divide designer roles with your partner(s) and create a design concept of the play by Jean Anouilh, Antigone.
  5. Each group will hand in a typed, singled-spaced, minimal 2 pages paper on the group’s design process and other related issues.
  6. This project is graded in two parts, (1) Peer Grading. Your classmates will rank your presentation from a scale of 1(excellent) to 5(very poor); (2) Overall Grading. This grade is based on your group’s overall project quality.
  7. The goal of this final project is to gauge your visual and conceptual ideas based on your play analysis, researching skills, and marketing skills.
  8. This project is not graded on how well you can draw.

 

 

 

 

 

THEA 2214                 Class Schedule             Fall 2004

 

 

Date

Lecture

Assign

Due

T  08/24

Course Introduction

What Is Visual Literacy?

Read DI – Chap. 1,2,3

Project #1, #2

 

R  08/26

Conceptual Thinking – Theatre, Film, Fine Arts

Discuss: Project #2

Presentation: Project #1

Read Antigone

Project #3

Handout #1, #2, #3, #4

Project #1

Project #2

T  08/31

Discuss Handout #1, #2, #3, #4

 

Handout #5

 

R  09/02

Discuss Handout #5– The Art of the Theatre, The First Dialogue

Read What Is—Chap.2

 

T  09/07

Play Analysis – Words as Visual Images

Project #4

 

R  09/09

Play Analysis

Discuss Antigone

Movie: Antigone

Presentation: Project #3

Read What Is—Chap.3,5,6

Project #3

T  09/14

Design Process

Research – The Voyage Of Discovery

 

 

R  09/16

Research – The Voyage Of Discovery

Movie: The Tempest

Presentation: Project #4

Read What Is—Chap.1

Handout #6

Project #4

Project #8 approval deadline!

T  09/28

Dynamic of good design – Principles and elements of design

Project #5

 

 

R  09/30

Dynamic of good design – Principles and elements of design

Project #6

 

T  10/05

Understanding Physical Space—Types of Theatre Space

Concept Statement revisited; Noises Off

 

R  10/07

Final Project In-Class Discussion #1

Concept Statement Revisited

 

Assign Final Project Groups

T  10/12

Presentation: Project #5

 

 

Project #5

R  10/14

Midterm Review

 

 

Critique paper #1

T  10/19

Midterm

 

Read DI—Chap. 4

 

 

 

R  10/21

Scenic Design & Properties Design

Presentation: Project #6

Read DI—Chap.5

Project #6

Designer Profile

T  10/26

Costume Design & Makeup Design

 

Read DI—Chap.7

Designer Profile

R  10/28

Lighting and Sound Design

 

Handout #7

Designer Profile

T  11/02

Final Project In-Class Discussion #2

Discuss Handout #7—They Got The Look

Project #7

Designer Profile

R  11/04

Design Theory—Realism vs. Expressionism

Movie: The Cabinet Of Dr. Caligari

Handout #8

Designer Profile

T  11/09

Design Theory—Minimalism vs. Action Design

Handout #9

Designer Profile

R  11/11

Design In Film: Art Direction

Movies: Crouching Tiger; Gosford Park; Far From Heaven; Topsy-Turvy; Amelie

 

Designer Profile

T  11/16

Movies: Angel & Insects; The Cook, The Husband…..; Moulin Rouge

Dimly Perceived...

 

R  11/18

Final Project In-Class Discussion #3

 

 

T  11/23

Movies: Titus; The Cell;

Edward Scissorhands; Prospero’s Book

 

Project #7;

Critique paper #2

R  11/25

THANKSGIVING BREAK

 

 

 

T  11/30

Fine Art Media

Presentation: Project #7

 

 

R  12/02

TV Media—Those Darn Commercials!

Which Ad Pulled Best?

 

 

T  12/07

Final Project Presentation

 

 

 

R  11/27

Final Project Presentation

 

 

 

T  12/02

Review & Evaluation

 

 

Pop Quiz

 

Thursday    12/16/02   Post Mortem     11:00am – 1:00pm