Syllabus                                                                                                          Fall 2002

COMM 3351-01                                                                                            T,R 2:00-3:15

Radio Program Production                                                                              HU 132

 

Instructor:            Dr. Glenn Novak

                        HU 139

                        770-836-6518

                        gnovak@westga.edu

 

Office Hours:  MWF 8:00-9:00 am; 10:00 am-noon

                          T,R 3:30-5:00 pm      

                         

Text:  None

 

Supplies Needed:

 

                        One audio cassette  (60 minute total time)

                        One open-reel audio tape, splice-free, 1800 feet, polyester

                        Four single-edged razor blades

                        One spool of audio splicing tape, 7/32 inch

                        Marking pen, grease pencil, or china marker

 

Course Description:  Instruction in the operation of radio technology and introduction to the

                                     production of radio programs.  Opportunity for practical experience with

                                     university radio station.

 

Course Prerequisite:  COMM 1154

 

Course Learning Outcomes (Goals) and Relationships to Degree Learning Outcomes:  Students successfully completing this course will be capable of:

 

                        1. Operating a multi-channel radio mixing board  (This learning outcome supports degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

                        2. Editing open-reel audiotape  (This learning outcome supports degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

                        3. Properly operating microphones, tape decks, CD players, cart machine, MD (This learning outcome supports degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

 

                        4. Writing and producing radio commercials and PSA’s  (This learning outcome supports degree program learning outcome #3:  Students will develop the ability to write mass media messages with accuracy, clarity, and brevity on deadline and within varying stylistic, ethical, and legal considerations, and also degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

 

                        5. Writing and producing a personal radio “think-piece” (This learning outcome supports degree program learning outcome #3:  Students will develop the ability to write mass media messages with accuracy, clarity, and brevity on deadline and within varying stylistic, ethical, and legal considerations, and also degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

           

                        6. Writing and producing a short, original radio documentary (This learning outcome supports degree program learning outcome #3:  Students will develop the ability to write mass media messages with accuracy, clarity, and brevity on deadline and within varying stylistic, ethical, and legal considerations, and also degree program learning outcome #4: Students will develop proficient use of technology to produce visual and audio messages for mass media within varying aesthetic, stylistic, technical, ethical, and legal considerations).

 

 

Course Content:  This course will focus upon two primary areas, writing for radio and

                               producing for radio.  Sometimes a station manager or program manager will

                               simply hand you something already written, and you will have to produce it.

                               More often than not, however, especially at smaller stations, you will be

                               expected to both write and produce the material.

 

                .

 

Grading:

           

                        Test #1:            Equipment                                30 points

                        Test #2:            Programs                                30 points

                        Project #1:       Donut commercial                   15 points

                        Project #2:       PSA                                         10 points

                        Project #3            Dialogue commercial                15 points

                        Project #4:       Think piece                            20 points

                        Project #5:            Documentary                           30 points

                       

                        Total points available                               150 points

 

 

 

 

Note: The total number of points you will receive on the projects will depend on both the quality

           of the written script and the quality of the tape produced.

 

Due Dates:  All projects will be assigned specific due dates.

 

                       

Final Course Grades:

 

            Final grades in the course will be distributed in accordance with a standard scale as

            follows:

 

                                                A            135-150

                                                B            120-134

                                    C            105-119

                                                D         90-104

                                                F            89 and below

 

A grade of incomplete will not be given without proper supporting documentation.  A zero will be recorded for missed tests, projects, and other work.  You must get an A or B in this course to be eligible to take Advanced Radio Production under COMM 4481, Independent Study.

 

Plagiarism:  Work that is determined to be not your own will receive a zero and you may be failed automatically in the course at the discretion of the instructor.

 

Budget your time so that you will be able to complete all projects by their due dates.  Do not wait until the last minute.  The lab will be every heavily booked during the last several weeks.

 

There will be no pop quizzes.  Tests will be scheduled and announced in class at least one week prior to their administration.  Generally, a review session is held on the class period prior to the test.  See the instructor during regular office hours for additional help with the test material and the assignments.

 

Report any equipment malfunctions, real or imagined, to Dr. Novak or to Teresa Yates in HU 139 as soon as possible.

 

There is no smoking, drinking, or eating in HU 132 at any time.  Be sure that the door is locked when you leave the room after your lab session.  Clean up any mess from splicing or other production.  Do not leave any of your own tapes, records, books, or other belongings in HU 132

when you are not in the room personally.

 

To get HU 132 unlocked for your use, see Teresa Yates or her assistant in HU 139.  Give your name as it will be cross-checked against a master list.  Dr. Novak will also be able to let you into

HU 132.  See him in HU 139.

 

Check out tapes for various lab exercises from Teresa Yates in HU 139.  You must leave your ID card to get materials.  You should schedule use of the lab by signing on the schedule sheet on the door to HU 132.  Abide by the time restrictions, which may vary from week to week.  You forfeit your time if you are ten minutes or more late and there is someone waiting to use the room.  Call Teresa Yates at 836-6518 if you must cancel your reserved time slot.

During the first weeks of class we may split the class into two crews to learn the equipment on a more individualized basis.  On those dates, half the class will come in at a time to work with the instructor.  You will be notified ahead of time when this procedure is going to be in effect.  Show up for labs!  This is your only time to learn the audio board and associated equipment under the direct supervision of your instructor.

 

The deadline to drop this class is August 21, 2002.  The last day to withdraw with automatic “W” is October 10, 2002.  Failure to drop or withdraw by these dates constitutes an explicit and unconditional acceptance of all terms on this syllabus.  No make-up tests are given.  No extra credit available.

 

 

                                    Group A                                             Group B

 

            crew chief:                                                    crew chief:

 

 

 

 

 

 

 

 

 

 

Weekly Outline  (subject to modification as necessary)

 

 

 

 

Week 1

Aug 20             Introduction to course, supplies needed

Aug 22             Discussion of assignments with samples

 

Week 2

Aug 27             Introduction to radio lab equipment, part 1

Aug 29             Introduction to radio lab equipment, part 2

 

Week 3

Sept 3              Group A editing

Sept 5              Group B editing

 

Week 4

Sept 10            Audio boards, turntables, microphones

Sept 12            CD, MD, cassette, open reel, carts, assign Proj. #1

 

Week 5

Sept 17            Group B board exercise

Sept 19            Group A board exercise

 

Week 6

Sept 24            Practice radio donuts, group A

Sept 26            Practice radio donuts, group B

 

Week 7

Oct 1               Review for Test #1

Oct 3               TEST #1:  EQUIPMENT

 

Week 8

Oct 8               Return Test #1. Types of radio programs

Oct 10             Last day for “W”; radio programs

 

Week 9

Oct 15             Types of commercials

Oct 17             PROJECT #1 DUE: DONUT COMMERCIAL; assign Proj. #2

 

Week 10

Oct 22             Return tapes, sample PSA’s

Oct 24             Radio dialogue commercials: Dick and Bert spots

 

Week 11

Oct 29                         Group B practice with former student spots, assign Proj. #3

Oct 31             Group A practice; PROJECT #2 DUE: PSA, assign Proj. #3

 

Week 12

Nov 5              Return tapes, assign Proj. #4: Radio Think Piece or Recollection

Nov 7              Sample think pieces.  Planning the Radio Documentary

 

Week 13

Nov 12                        Writing and Producing the Radio Documentary, student samples

Nov 14             PROJECT #3 DUE: DIALOGUE COMMERCIAL.  “Michael Farmer”

 

Week 14

Nov 19             Return tapes.   “Father Cares”

Nov 21                        Conclude and discuss “Father Cares.”

 

Week 15

Nov 26                        PROJECT #4 DUE. Play samples. Course evals. Review for Test #2.

Nov 28             Thanksgiving break, no class.  Work on final project.

 

Week 16

Dec 3               Last day of class.    TEST #2.  Return graded tapes. 

Dec 5               No class. PROJ #5 DUE (cued after #4) BY 5:00 PM, HU 139 DON’T BE LATE