Studies in Literary Theory:

History and Structure, Canoning and Un-canoning

English 4130

Tentative Syllabus

Place: Humanities 209

Time: Tuesdays: 5:30-8:00

Office:  TLC 2225 (678-839-6512)

Office hours: M 1:00-3:00; T 1:00-2:00; Th 9:30-12:30; And by Appointment

Email: mcrafton@westga.edu

Home page: http://www.westga.edu/~mcrafton/

 

 

Course Description

This particular version of 4310 will focus on fundamentals and some fundamental texts of what we loosely call theory.  The course will include some historical overview of what is generally thought of as the philosophy or discourse of literary theory and some asking and attempting to answer perennial questions about such matters as the status of literature, aesthetics, history, politics, reading, meaning, and formal systems.  Does literature provide spiritual fulfillment?  Does it provide truth?  Are there correct and incorrect ways to read and interpret literature?  How does our understanding of literature inform our professional identities as writers, teachers, and literary scholars?  The resulting conversation should be wide-ranging, touching on many other issues and academic disciplines.  As part of our exploration we will engage in an intensive reading of writers and literary critics who have articulated responses to these questions, beginning with Plato and Aristotle and concluding with more recent scholars such as Michel Foucault, Jacques Derrida, Julia Kristeva, Pierre Bourdieu, Judith Butler,  and Homi Bhabha.

 

Learning Outcomes

1) Students will develop the ability to identify achievements in various fields and movements within literary theory and criticism; 2) Students will become familiar with important characteristics of and distinctions between critical schools and methodologies; 3) Students will recognize how theory and literature construct a dialectical relationship with social, historical, political, economic, and cultural forces as they are produced and consumed; 4) Students will understand and appreciate the relationship between theory and literature and the role played by each in the production and consumption of the other; 5) Students will be able to apply theoretical issues and skills to real-world circumstances; 6) Students will demonstrate in both oral and written work a discipline-specific critical facility through convincing and well-supported analysis of related material; 7) Students will display their command of academic English and of the tenets of sound composition by means of thesis-driven analytical prose, including at least eight pages of research-based writing; 8) Students will learn to use discipline-specific technologies related to the study of language such as listservs, word processing, and internet research.

 

Relationship to Program Goals

1) This course fulfills an elective requirement for the completion of the English major; 2) This course contributes to the larger goal of equipping students with a foundation in literary theory and the issues surrounding literary study in contemporary culture; 3) This course helps students develop the analytical, oral, and written skills needed to pursue graduate study or careers in teaching, writing, business, and a variety of other fields; 4) This course will help students learn how to define and pursue independent research agendas; 5) This course broadens students' desire and ability to take pleasure in their encounter with literature.

 

NOTE: This is writing intensive course. Your papers and presentation assignments involve writing-to-learn activities in which you will be using writing to understand the material we have read. Your responses will be used to generate class discussion as well as to help you gain confidence in your abilities to read and write about what you have learned. Your writing will be evaluated in terms of these expectations. ALL written assignments should conform to the standards of college-level, academic writing. By successfully completing this course, you can receive WAC (Writing Across the Curriculum) credit toward graduation. The goals of WAC are to encourage students to use writing as a way to learn, to show students how to write effectively in their disciplines and to improve students' writing skills. All students majoring in disciplines in the School of Arts and Sciences are required to satisfy the WAC requirements for WAC to graduate: These requirements include at least two 3000/4000 level W courses for a total of 6 hours with at least 3 of these hours in the major. Additional WAC certification is also available. See the current undergraduate catalog for details

Additional materials will be placed on the course website or on reserve in the library.

 

Course Evaluation

10%  Participation and Quizzes
10%  Oral Report

10%  Response Paper
20%  Midterm Examination
25%  Final Examination
25%  Final Research Paper (minimum of 8 pages)

 

Attendance Requirements and Class Protocols

Improving your critical thinking, analytical writing, and presentation skills requires commitment and concentrated effort. Therefore, careful preparation and active participation are crucial to your success in this course. Obviously, you should be present and on time for all class meetings. Readings and other assignments should be completed in advance of each class. You should come prepared to participate actively in our class discussions. If you are going to be absent from class, you should let me know in advance. Late work will not be accepted unless you make arrangements with me in advance and you have a legitimate reason (a serious medical or family emergency) for turning in work after it is due.
In the case of excused absences, it is your responsibility to make arrangements with me to complete assignments you have missed immediately upon your return to class. Failure to follow these guidelines will result in a zero or grade reduction for work not submitted on time. You will not be able to make up missed in-class assignments or quizzes, and you will not receive credit for these assignments.   If you find it unavoidable to miss class, be aware of the following guidelines:
 
a) Two absences are allowed during the course. Every absence thereafter will result in a one-third letter grade reduction of your final grade in the course, regardless of the nature of the absence. No distinctions will be made between excused and unexcused absences.
b) Roll will be taken during every class period at the beginning of class. If you arrive late, it is your responsibility to let us know so you are not counted absent.
c) It is your responsibility to keep up with your absences and late arrivals.
d) You should use your allotted absences wisely. Unplanned or unexpected occurrences are likely, so be prepared to use absences for these events only.
e) Entering class late and leaving class before it is over will count as an unexcused absence, unless you have a legitimate medical excuse for doing so.
f) Excessive absences or tardiness from class may result in your administrative withdrawal from this course with a grade of F.
g) Please turn off all cell phones and pagers before entering class.

h) This class meets for a long time, and we will take a fifteen minute break in order to take a quick bite of food or refreshment.  Please refrain from eating during class.

 

Daily Class Work

Every day, you must come to class with a written response to some part of the reading assignment.  This response must not be more than one page and it should consist of a paragraph or a series of sentences (questions in part) that reflect not only that you have made a good effort to read and understand the material (some of this material we may all conclude is impenetrable) and to raise questions related to our ongoing concerns about theory.

 

Classroom Presentations
Throughout the course, you will be expected to complete outside reading and homework assignments, written and oral classroom presentations, and other classroom activities. These assignments are designed to reinforce the information presented in reading assignments and lectures. Classroom presentations will give you an opportunity to present information to the class for consideration and discussion. You will not be able to make up presentation assignments that are missed due to absence from class. Presentations will be assessed on the basis on organization, clarity, and presentation style. I will provide you with a list of assignments and guidelines for the presentations as the course progresses.

 

Midterm and Final Examinations

Examinations will be based on reading assignments, course lectures, and other materials presented in class. For each examination students will be expected to know the major terms and figures, concepts and theories related to the study of the literature that will be presented in reading assignments and course lectures. Consequently, students should be thoroughly familiar with each reading assignment and be prepared to take notes during class. Examinations will include an objective, in-class component (terms, definitions, etc.) and an out of class essay component. Examinations cannot be taken late or scheduled at an alternate time unless you have a serious medical emergency or another legitimate reason for doing so. In the event that such circumstances arise, you must let me know in advance to schedule an alternate time to take the examination. Otherwise, late exams will be marked down one letter grade for each day they are taken late. I will provide you with a study guide prior to each exam.

 

Final Research Paper

The final research paper (a minimum of 8 pages of type-written research-based analysis) will represent the culmination of your study in this course. Your paper can focus on any aspect of literary theory, pending my final approval.   I will provide you with more specific details about the requirements for the paper in the weeks ahead. The paper is due on the date listed in the syllabus.  Papers turned in late will be marked down one letter grade for each day they are late. I will be glad to meet with you outside of class to discuss specific research topics. The project is a formal academic assignment and will be assessed on the basis of structure, content, grammar, writing style, proper paper format, and documentation of sources.

Possible Strategies for the paper:

            An analysis of one theoretical approach (or more) to a text (or more) by way of another theoretical approach.  (E.g. A neomarxist evaluation of a poststructuralist reading of Thoreau’s Walden.)

            An analysis of one or more theoretical approaches to a particular problem in literary theory (e.g. representation, the subject or author or agency, gender, performance).

            An analysis and appraisable of an approach that we do not cover very much in class (e.g. reader-response, pedagogy, disability theory).

            A study of a particular theorist or place of theory (e.g. Paul de Man, Chicago Neo-Aristotelianism).

 

ADA Compliance

Every class offered by the English Department of the University of West Georgia makes every effort to be in compliance with the Americans with Disabilities Act.  If you need assistance in this regard, please feel free to contact the instructor or office of Dr. Anne Phillips in Parker Hall.

 

Technology
You need to be familiar with finding sources online and other aspects of computer technology for this class. I will assist you if you have questions. Also, information can be found online at the UWG Technology / Surfing Guide: http://www.westga.edu/~techlife/

 

Plagiarism & Academic Dishonesty
UWG defines plagiarism as taking personal credit for the words and ideas of others as they are presented in electronic, print, and verbal sources. I expect that students will accurately credit sources in all assignments. An equally dishonest practice is fabricating sources or facts; it is another form of misrepresenting the truth. Plagiarism is grounds for failing the course.  Any student caught submitting materials (in part or whole) as their own work from online websites will fail the course automatically and be referred to the Academic Discipline Council. For additional information, please see http://www.westga.edu/~engdept/Plagiarism

 

Conferences and Outside Assistance
I will be glad to meet with you outside of class to discuss your work in this class, the writing assignments, or the texts we are studying. If you are having trouble with the material in this class or have questions and/or concerns you would like to discuss, please set up a time to meet with me.

 

Readings and Assignments

Readings and assignments should be completed on by the dates listed below.  Updates to the reading assignments along with other materials and assignments can be found on my website for this course: http://www.westga.edu/~mcrafton

Required Texts (Note: students should purchase these specific editions)
All selections except Culler are to be found in the Norton Anthology or a handout that I will make available.


Culler, Jonathan.  Literary Theory: A Very Short Introduction. Oxford: Oxford UP, 1997.

Leitch, Vincent B., et al., eds. The Norton Anthology of Theory and Criticism.  New York:   Norton, 2001.


Below I have listed reference to more texts than we could possibly discuss adequately in class which basically will consist of two meetings of a little over an hour each.  So I have put asterisks by the texts that we must read and the others are optional or supplemental or could be the subject of a student presentation.

 

T   23: Introduction and overview

 

T   30: Culler*

 

T    6:  Classical

            Plato,   Ion

Republic*

Phaedrus*

            Aristotle

                        Poetics*

                        Rhetoric

            Horace*

            Longinus

            Quintilian

            Plotinus

 

T   13:  Medieval and Renaissance

            Augustine

                        On Christian Doctrine*

                        On the Trinity

            Macrobius*

            Hugh of St. Victor

            Moses Maimonides

Vinsauf*

Aquinas*

            Dante*

           

T   20: Renaissance and Neoclassicsm: Discuss Response Paper Topics

            Boccaccio

            Christine de Pizan*

            Sidney*

Corneille

Dyrden*

Behn

Pope*

 

T   27:  Romanticism: Short Response Paper Due**

            Kant*

            De Stael*

            Schliermacher

            Hegel*

            Wordsworth*

            Coleridge

            Shelley*

            Keats (handout)*

 

T    4: Mid-Term; Begin Formalism

            Eliot

            Ransom

            Cleanth Brooks*

            Wimsatt and Beardsley*

           

T   11: Early Structuralism

            Marx and Engels*

            Freud*

            Saussure*

 

T   18: Structuralism, Semiotics, and Myth

            Frye*

            Bakhtin*

            Jakobson

            Levi-Strauss

            Barthes*

            Todorov*

 

T   25:  Post-Structuralism

            Nietzsche*

            Foucault*

            Derrida*

            Paul de Man

            Lacan

            Hernstein Smith

            Baudrillard*

            Lyotard

 

T     1: Neo-Marxism and New Historicism

            Trotsky

            Lukacs*

            Gramsci*

            Benjamin

            Althusser

            Adorno*

            Edmund Wilson

            Eagleton*

            Jameson*

            Greenblatt*

 

T     8:  Feminism

            Wollstonecraft*

            De Beauvoir*

            Woolf

            Kolodny*

            Rich

            Gilbert and Gubar*

            Cixous

            Zimmerman*

            Sedgwick

 

T   15: Psychoanalytic: Prospectus of Research Paper Due

            Freud

            Jung*

            Lacan*

            Bloom*

            Davis

            Deleuze and Guattari

            Laura Mulvey*

           

 

T   22:  Cultural Studies

            Bordo*

            Raymond Williams

            Frantz Fanon

            Stuart Hall*

            Richard Ohman

            Bourdieu*

            Hebdige*

            Guillory (handout)

           

T   29: Post-Colonialism: Research Paper Due by End of This Week

            Houston Baker

            Zoral Neale Hurston

            WEB Du Bois

            Henry Louis Gates*

            Bell hooks

            Achebe*

            Bhabha*

            Thiong’s et al*

            Said*

            Spivak

 

T    6: Performance Theory and Reader Response:

            Austin*

            Fish*

            Iser

            Jauss*

            Butler*

            Moultrip

 

T    13: Final 5:30-7:30