The Critiques. The critiques consist of
detailed
notes on the original manuscript plus a formal written critical
evaluation
of the work. They should be written in an analytical prose style
appropriate for an academic paper. Each primary critique
should evaluate and provide detailed commentary on the effectiveness of
elements of prosody--style, rhythm, stanzaic and line forms, tone,
imagery, and, finally, the total
effectiveness
of the work--remarking on both strengths and weaknesses of the poem(s)
and
making specific suggestions for revision. Critiques do not have
to
be organized in the order listed above. Let the poetry itself
determine
the order of importance in which its elements are
addressed. The
primary critique
should be one to two typed, doubled-spaced pages in length. The
secondary critique, which can focus on a single element of the poetry,
should be a half page.
Critiques, and all discussion of a student-author's poems, should always address the text, never the author. Critiques sharpen the thinking of the reviewer and aid the writer only when they are honest and respectful. Students will read their prepared critiques to the class to spark further discussion of the poems under consideration. The primary critique should be about seven minutes long; the secondary critique should be two to three minutes long. Authors must be present but may not join in the discussion of their work unless invited to do so by the instructor.
Students must provide two copies of the critique: one for the student author and one for the instructor. In addition, they must provide for the instructor one copy of the original poem(s) with their critical remarks on the text. The original goes back to the author, of course.
A word here on manuscript format: All poems and critiques must be typed and double-spaced and printed in 12 point Times New Roman or Courier font. In addition, all manuscripts should observe the standards of academic and business practice, with one inch margins all around. All pages after the first should be numbered in the top right corner. Poems must have a title and byline centered at the top of the first page (no cover page is required). For example:
Critiques should begin with the following information centered at the top of page one:
Critique of "title of poem(s)"
by
name of poet
Prepared by name of reviewer
An additional word on standard English. While in
poetry as in fiction
the element of
voice may demand some variation from the rules of
grammar and diction, only writers who are masters of the rules can
break
those rules effectively. In short, realistic dialogue or 1st
person
narration are certainly allowed in the stories written for this class,
but such techniques must justify themselves. Mechanics, grammar,
sentence coherence and the larger matters of organization and coherence
in a composition do count in this class (of course these latter
elements
take quite different forms in fiction, poetry, and academic prose).
Authors
Primary
Secondary
Jeffrey Charles Melissa King
Jessica Melinda Melissa Lively
Timothy Lauren Ify
November 2
Authors Primary Secondary
Brandy Jeffrey Scott
Cassandra Jessica Melinda
Donald Timothy Lauren
Charles Melissa Lively Damaris
November 4
Authors Primary Secondary
Ify Brandy Timothy
Melinda Damaris Donald
Melissa King Scott Cassandra
November 6
Authors
Primary
Secondary
Lauren Donald Charles
Melissa Lively Melissa King Jessica
Damaris Ify Brandy
Scott Cassandra Jeffrey