Study Guide 13 Gardner

Study Guide 13 Gardner's Art Through the Ages II

Chapters 34: Modernism, PostModernism, and Beyond

Abstract Expressionism

ßPollock. Lavender Mist 1950 34-4 DeKooning Woman. 1952. see 34-6

Newman, Vir Heroicus Sublimis, 1950-51. 34-7 ßRothko. No. 14 1960. 34-8

Morris Louis. Saraband 1959. 34-13 ßHelen Frankenthaler Bay Side 1967. 34-12

Minimalism

David Smith. Cubi XVII. 1964. 34-9 ßSmithson. Spiral Jetty 1970. 34-37 (Earthworks)

Judd. Untitled 1969. 33-15 Judd. Untitled 1969. 33-15

Pop Art

Lichtenstein. Hopeless. 1963. 33-30 Lichtenstein. Wham!

Koons. Ushering in Banality 1988 (PostModern Pop) Arneson George & Mona. (PostModern Pop)

Warhol Red Elvis ßWarhol. Marilyn Diptych. 1962. 33-32

Oldenburg. Clothespin Hamilton. Just What is It that Makes Today's Home So Different, So Appealing? 1956. 34-27

Kosuth. One and Three Chairs 1965. 34-25. (Conceptual) Paik. TV Buddha 1970

Golub Mercenaries IV. 1980 34-72 (Neo-Expressionism)

SuperRealism

ßFlack Marilyn 1977. 34-34

Hansen. Body Builder, ßSupermarket Shopper. 1970. 34-36 Hansen. Cowboy, Shoppers

Site Specific Art

Christo & Jeanne Claude. Surrounded Islands. 1980-83. 34-38 Christo & Jeanne Claude. Wrapped Reichstag 1971-95.

Issue-Based/Political Art

Judy Chicago. Dinner Party 1979. 34-59 detail: Setting for Emily Dickinson

May Lin. Vietnam Veterans Memorial Washington DC. 1981-83. 34-16. 4 images

PostModern Architecture

Graves. Portland Public Services Bldg. Oregon. 1980. 34-50 Gehry. Guggenheim Museum. Bilbao Spain. 1997. 34-54

Issue-Based/Political Art

Jaune Quick-to-See Smith. Trade (Gifts for Trading Land with White People). 1992. 34-71 Lorna Simpson. Stereo Styles 1988, 34-68

Kara Walker. Salvation. 2000 Ringgold. Who's Afraid of Aunt Jemima. 1983. 34-66

Anselm Kiefer. Nigredo 1984. 34-58. (Neo-Expressionism) Wodiczko. The Homeless Projection. 1986-87. 34-75

Abstract Expressionism
ßPollock. Lavender Mist 1950 34-4	DeKooning Woman. 1952. see 34-6
Newman, Vir Heroicus Sublimis, 1950-51. 34-7	ßRothko. No. 14 1960. 34-8
Morris Louis. Saraband 1959. 34-13	ßHelen Frankenthaler Bay Side 1967. 34-12
Minimalism
David Smith. Cubi XVII. 1964. 34-9	ßSmithson. Spiral Jetty 1970. 34-37 (Earthworks)
Judd. Untitled 1969. 33-15	Judd. Untitled 1969. 33-15
Pop Art
Lichtenstein. Hopeless. 1963. 33-30	Lichtenstein. Wham!
Koons. Ushering in Banality 1988 (PostModern Pop)	Arneson George & Mona. (PostModern Pop)
Warhol Red Elvis	ßWarhol. Marilyn Diptych. 1962. 33-32
Oldenburg. Clothespin	Hamilton. Just What is It that Makes Today's Home So Different, So Appealing? 1956. 34-27
Kosuth. One and Three Chairs 1965. 34-25. (Conceptual)	Paik. TV Buddha 1970
	Golub Mercenaries IV. 1980 34-72 (Neo-Expressionism)
SuperRealism
ßFlack Marilyn 1977. 34-34
Hansen. Body Builder, ßSupermarket Shopper. 1970. 34-36	Hansen. Cowboy, Shoppers
Site Specific Art
Christo & Jeanne Claude. Surrounded Islands. 1980-83. 34-38	Christo & Jeanne Claude. Wrapped Reichstag 1971-95.
Issue-Based/Political Art
Judy Chicago. Dinner Party 1979. 34-59	detail: Setting for Emily Dickinson
May Lin. Vietnam Veterans Memorial Washington DC. 1981-83. 34-16. 4 images
PostModern Architecture
Graves. Portland Public Services Bldg. Oregon. 1980. 34-50	Gehry. Guggenheim Museum. Bilbao Spain. 1997. 34-54
Issue-Based/Political Art
Jaune Quick-to-See Smith. Trade (Gifts for Trading Land with White People). 1992. 34-71	Lorna Simpson. Stereo Styles 1988, 34-68
Kara Walker. Salvation. 2000	Ringgold. Who's Afraid of Aunt Jemima. 1983. 34-66
Anselm Kiefer. Nigredo 1984. 34-58. (Neo-Expressionism)	Wodiczko. The Homeless Projection. 1986-87. 34-75