|
ARTIST/TOPIC |
|
STUDENT |
|
Algardi |
Alessandro |
|
|
allegory |
|
|
| allegories of painting |
FRANS VAN MIERIS THE ELDER, JAN VERMEER, ARTEMISIA GENTILESCHI |
KATELYN ROUNTREE -- USE OF ALLEGORY IN PAINTING THEME |
|
art collection paintings |
|
|
Bernini |
Gian Lorenzo |
***CHANNING LONGO -- HIS USE OF MYTHOLOGICAL THEMES IN RELATIONSHIP TO THE
17TH-CENTURY FASCINATION WITH MYTH
*** JAMIE HIGGS -- THE BALDACCHINO AT
SAINT PETER'S IN LIGHT OF CHURCH AND SALVATION HISTORY |
|
Borromini |
Francesco |
**AMY COURSEY -- ARCHITECTURAL EVOLUTION
AND INFLUENCE **ANGELA LINDSEY
-- ST. IVO AND THE SYMBOLIC INTENT OF HIS DESIGN
**LAURA PRICE -- THE USE OF GEOMETRY
IN HIS INNOVATIONS |
|
Callot |
Jacques |
|
|
Caravaggio |
Michelangelo Merisi |
**ALEX SMITH-- HIS USE OF TENEBRISM AS A
TOOL FOR FOCUS AND EXCLUSION **
DANIEL WALSTON -- HIS USE OF TENEBRISM AS A TOOL TO RESPOND TO
COUNTER-REFORMATION REQUIREMENTS |
|
children |
|
|
|
cityscape |
|
|
|
Coysevox |
Antoine |
|
|
da Cortona |
Pietro |
|
|
de Brosse |
Salomon |
TIFFANI BRIDGES - PALAIS DU LUXEMBOURG, INFLUENCE ON ENSUING FRENCH
ARCHITECTURE |
|
de Champaigne |
Philippe |
|
|
de Hooch |
Pieter |
|
|
de la Tour |
Georges |
|
|
de Ribera |
Jusepe |
|
|
de Witte |
Emmanuel |
|
|
de Zurbarán |
Francisco |
|
|
Dou |
Gerrit |
|
|
Duquesnoy |
François |
|
|
fish & seafood |
|
|
|
foreshortening in the Baroque |
|
|
fountains |
|
|
|
|
Gaulli |
Giovanni Battista |
|
|
Genre scenes of specific type |
|
|
Gentileschi |
Artemisia |
ERIN DEAN -- ARTEMISIA'S OWN RAPE RELATED
TO HER DEPICTIONS OF STRUGGLE. |
|
Gentileschi |
Orazio |
|
|
Giordana |
Luca |
|
|
Goltzius |
Hendrik |
|
|
Group Portraits |
|
|
|
Hals |
Frans |
|
|
Jones |
Inigo |
CHERRY BROWN: PALLADIAN AND RENAISSANCE
INFLUENCES |
|
Jordaens |
Jacob |
|
|
Koninck |
Philips |
|
|
landscape |
|
|
|
Lastman |
Pieter |
|
|
Le Brun |
Charles |
ANNIE OWENS -- LE BRUN AND PHYSIOGNOMY |
|
le Vaux |
Louis |
KRISTEN GREENE - DISTINCTIONS IN DESIGN
RELATED TO SPECIFIC USES IN FRENCH CHATEAUX AND THEIR ITALIAN INFLUENCES |
|
Leyster |
Judith |
|
|
Lorraine |
Claude |
|
|
Maderno |
Carlo |
|
|
Maes |
Nicolaes |
HOLLY BERNDT - NICOLAES MAES - DUTCH
GENRE, WOMEN, & DOMESTIC VIRTUE |
|
Mansart |
François |
MELISSA CRAVEN -- CLASSICIZING ELEMENTS, BAROQUE INTERPRETATION |
|
marinescape |
|
|
|
Metsu |
Gabriel |
**Jessica Denman -- moralizing genre by Metsu
**
Rebekah addison -- Metsu, schalken as pupils of dou |
|
Murillo |
Bartolomé Esteban |
|
New Testament specific theme --
several examples compared |
|
|
Occupation or Genre Portraits |
|
Old Testament specific theme --
several examples compared |
|
|
painted wooden sculpture |
|
|
poultry &/or meat |
|
|
Poussin |
Nicolas |
Meredith McKelvy: Four
seasons/Oldtestament series |
|
preliminary sketches, gathered on some
basis |
|
|
Pugit |
Pierre |
|
|
Rigaud |
Hyancinthe |
|
|
Rubens |
Peter Paul |
ANDREA CURVIN -- RUBENS AND SNYDERS
PROMETHEUS BOUND COLLABORATION |
|
Ruysch |
Rachel |
|
|
Saachi |
Andrea |
|
|
Saint portrayal, several examples
compared |
|
|
Sanraedam |
Pieter Jansz |
|
|
Steen |
Jan |
|
|
Ter Brugghen |
Hendrik |
|
|
Terborch |
Gerard |
|
|
The Carracci (or specific one) |
|
|
van Campen |
Jacob |
|
|
van Dyck |
Anthony |
NINA REDGERS -- STYLISTIC EVOLUTION
RELATIVE TO CIRCUMSTANCES OF HIS LIFE |
|
van Ostade |
Adriaen |
|
|
van Rijn |
Rembrandt |
|
|
van Ruisdael |
Jacob |
|
|
Velázquez |
Diego |
|
|
Vermeer |
Jan |
|
|
Vouet |
Simon |
JENNIFER GRAY -- ALLEGORICAL FIGURES OF
WOMEN |
|
Wren |
Christopher |
|
|
|
|
|
|
|
|
THESIS/THEME MUST BE
VERY SPECIFIC |