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ART 4206 Fall 2009 TERM PROJECT
Thesis Statement & Annotated Bibliography due
September 25th 5PM through the dropbox
Final Term Project due November 24th 5PM
through the dropbox
For this semester, you will prepare a sort
of preliminary research report on one of the artists or works or topics on
the list. Select the one you want and e-mail me to claim your choice.
The basis for the list, as well as for the project, is the ways in which
these exemplify some peculiar aspect of the art or architecture of the era.
I have proposed ones I know to be of significance, although you may use
other ideas, subject to my approval. Before you claim a topic, formulate the
theme/idea that you will pursue in your research, and make sure that you
have found the required research materials to support that line of
investigation -- to amount to an adequate treatment of the theme,
according to the project requirements. Do not just select an item off
the list without determining the supporting material that you will use and then stating the
specific theme of your study in your proposal.
Your Final
Report
(Phase 3) will be posted on the
class CourseDen site and everyone will read the reports of the other
students in the class. You will submit it through the dropbox and I
will publish it (before I make comments or grade them). Your work will
include the following:
·
A basic research statement
2200-2500 words (4-6 pages of text)
about your topic, in which you discuss 4 or 5 specific works that
exemplify the issues.
·
4-5 images to support your
inquiry and statements. These should be very small (less than 150K, so
they will not overload the CourseDen system. Supplementally or
alternatively, you may use references to specific websites (by inclusion
of their addresses) or to your text book. They should be properly
captioned as per this sample:
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FIG. 1. PABLO
PICASSO. WEEPING WOMAN. 1937.
O/C, 23 5/8 x
19 ¼” TATE GALLERY, LONDON. (Elberton p. 567)
Caption formula: Fig. #. Artist/Architect. Title
of the Work, Title of
Larger Work of Which it is a Part.
Location if Architecture. date,
medium, size. Museum location of object. (source of your image
-- abbreviated, with full citation in the bibliography)
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These
should be numbered Fig. 1. Fig. 2, etc., in keeping with the order
in which they are introduced within the text of your paper.
They may be incorporated in the paper, or arranged in a group
at the end of the paper, but, either way, they should be labeled and
numbered as shown.
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Footnotes, formatted in Chicago
style. These should include any citations for your sources,
whether quoted or simply acknowledged, and might also be
explanatory, as appropriate. DO NOT USE
PARENTHETICAL REFERENCES
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Bibliography for your study, properly
presented and formatted, Chicago style (the annotations are a
separate phase of the project, and may or may not be used in the
final project, as well).
A major companion for you throughout this process will be
the Writer's Resource handbook (Maimon, et al.)
and it is
frequently referenced in the instruction s below.
POSSIBLE TOPICS: You will probably have selected a general approach by now,
but you need to continually refine your thinking, in accordance with your
research findings. You might further the investigative process by
considering these :
· a particular artist: Rubens,
Rembrandt, Caravaggio, Annibale Carracci. or? Consider their treatment of a
specific subject, their work at a given site, their work for a particular
patron, or?
· Counter-Reformation altarpieces
or frescoes
· Tomb sculpture
· Private chapels
· Protestant churches
· Genre paintings, with some
sort of sub-theme (housekeeping, possessions, spatial treatments, etc.)
· Moralizing iconography (proper
household arrangement, childrearing, etc.)
· Landscape painting, seascapes
(sub-themes here, as well: local economy, merchants, markets, order and
organization, taming wilderness, hunt, bounty and prosperity)
· Vanitas themes
· Flower paintings,
food/table paintings, market scenes
· A single theme in different
media: biblical tales compared, Bible interrelationships --Old Testament,
New Testament, teaching, doctrine
· Images of a single person or
event – Portraits, or images of Christ, Mary, angels, saints; Annunciation,
Ascension, Resurrection, &C &C &C
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