Art 4208 Study Guide # 8 Fantasy, Dada, New Objectivity
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CHAGALL |
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Homage to Apollinaire 1911-12. 13.1 |
Paris Through the Window. 1913 |
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Birthday. 1923. 13.2 |
The Green Violinist. 1923-24. 13.4 |
| DI CHIRICO | |
| The Soothsayer’s Recompense. 1913. 13.5 | Mystery and Melancholy of a Street. 1914. 13.6 |
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The Great Metaphysician 1917. 13.7 |
CARRA. The Drunken Gentleman. 1917. 13.8 |
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DADA |
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| JANCO. Mask, 1919, MM. 1919. 13.9 | HUGO BALL reciting Karawane. 1916. 13.10 |
| ARP. Collage Arranged According to the Laws of Chance. 1916-17. 13.11 | SOPHIE TAEUBER Rythmes Libres. 1919. 13.12 |
| ARP Fleur Marteau 1916. 13.14 | Head, 1920, 2 views. 13.13 |
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MARCEL DUCHAMP |
Tu m’. 1918. 13.10 |
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Bottlerack and Fountain. 1917. 13.16 |
Bicycle Wheel. 1951. (1913) 13.17 |
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3 Standard Stoppages. 1913-14 13.18 |
The Passage from the Virgin to the Bride. 1912. 13.15 |
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The Bride Stripped Bare by Her Bachelors, Even. 1915-23. 1320 |
Box ina Valise. 1941. 13.21 |
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PICABIA Ideal. 1915. 13.22 |
HAUSMANN the Spirit of Our Time. 1919. 13.26 |
| MAN RAY | |
| Seguidilla. 1919. 13.23 | Gift. 1921 13.24 |
| Untitled. 1922. Rayograph. 13.25 | HANNAH HOCH. Cut with the Kitchen Knife Dada Through the last Weimar Beer Belly Cultural Epoch of Germany. 1919-20. photomontage. 13.27 |
| HEARTFIELD. Little German Christmas Tree. 1934. 13.28 | SCHWITTERS. Picture with Light Center. 1919. 13.29 |
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SCHWITTERS. Merzbild 25A. Stars. 1929. 13.30. |
SCHWITTERS Merzbau, Hanover. 1931. 13.31 |
| MAX ERNST | |
| 1 Copper Plate, 1 Zinc Plate, 1 Rubber Cloth, 1 Drainpipe Telescope, 1 Pipe Man. (2 Ambiguous Figures). 1920. gouache, ink, pencil/prtd repro. 13.32 | Celebes. 1921. o/c. 13.33 |
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AUGUST SANDER. Wandering People 1930. 13.38 |
RENGER-PATZSCH. Irons used in Shoemaking, Fagus Works. 1925. 13.39 |
| NEW OBJECTIVITY (Die Neue Sachlichkeit) | |
| GROSZ Dedication to Oskar Panizza. 1917-18. 13.34 | GROSZ Fit for Active Service.(The Faith Healers). 1916-17. pen, brush, india ink. 13.35 |
| OTTO DIX. Dr. Mayer-Hermann. 1926.o,temp/wd. 58¾ X 39”.13.37 | |
| MAX BECKMANN | |
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Self-Portrait w. Red Scarf. 1917.o/c. 31½X32 5/8” 13.40 |
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Self Portrait in Tuxedo. 1927. o/c 55 ½X37¾”. 13.41 |
Departure. 1932-33. o/c. triptych. 7’¾”X 10’. |
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ROOM 3, The Degenerate Art Show |
waiting in line |
| School of Paris between the Wars | |
| Modigliani (Italian) | |
| Head (SC). 1911-13. 14.1 | Chaim Soutine. 1916. 14.2 |
| Nude. 1917. 14.3 | |
| SOUTINE (Lithuanian) | Woman in Red. 1924-25. 14.5 |
| Gnarled Trees. 1920. 14.4 | Carcass of Beef. 1925. 14.6 |
| VALADON. Reclining Nude. 1923 14.7 | UTRILLO. Rue de Mont Cenis. 1915. see 14.8 |
| MATISSE | |
| Piano Lesson. 1916. 14.9 | Music Lesson. 1917 14.10 |
| Decorative Figure Against an Ornamental Background. 1925-26. 14.11 | Interior with Phonograph. 192. 14.12 |
| Pink Nude. 1925. 14.13 | Chapel of the Rosary. 1951 14.16 |
| Merion Dance Mural The Barnes Foundation 1932-33. 14.24 | DUFY Indian Model in the Studio. 1928. 14.17 |
| PICASSO | |
| Nessus and Dejanira. pencil. 1920. 14.20 | The Pipes of Pan. 1923. 14.23 |
| Three Women at the Spring. 1921. 14.21 | Two Women Running on the Beach. 1922. 14.22 |
| LÉGER. | |
| Le Grand Déjeuner. 1921 14.31 | The Great Parade. 1954. 14.32 |
| OZENFANT. Guitar and Bottles. 1920. 14.33 | LE CORBUSIER (JEANNERET) Still Life. 1920. 14.34 |
| SURREALISM | |
| ERNST | |
| Two Children are Threatened by a Nightingale. 1924. wd construction. 1924. 15.5 | Europe after the Rain. 1940-42. o/c. 15.7 |
| Surrealism and Painting. 1942. 15.8 | The King Playing with the Queen. 1944. bronze. 15.9 |
| JOAN MIRÓ | |
| Nude with a Mirror 1919. 15.10 | Lunar Bird. 1966. bronze 15.17 |
| The Harlequin's Carnival. 1924-25. o/c. 15.11 | Le Fond Bleu II 1961. 15.16 |
| MASSON | |
| Battle of Fishes 1926. MM 15.18 | Pasiphaë. 1943. o, temp/c. 15.19 |
| TANGUY | |
| Mama, Papa is Wounded. 1942. 15.20 | Multiplication of the Arcs. 1954. 15.21 |
| MATTA. Disasters of Mysticism. 1942. 15.23 | LAM, The Jungle. 1943. |
| DALI | |
| Accommodations of Desire. 1929. 15.25 | Soft Construction with Boiled Beans: Premonitions of Civil War. 1936. 15.27 |
| MAGRITTE | |
| The Treachery of Images. 1928-29. 15.29 | The False Mirror. 1928. 15.30 |
| The Human Condition. 1933. 15.31 | |
| DELVAUX | Entrance to the City. o/c. 1940 15.34 |
| BELLMER Doll. 1935. 15.35 | oppenheim. Luncheon in Fur. 1936. 15.36 |
| TANNING. A Few Roses and Their Phantoms. 1952. 15.37 | Carrington. Self Portrait. 1936-37. 15.38 |
| PICASSO | |
| Three Dancers. 1925. 15.39 | Large Nude in Red Armchair. 1929. 15.40 |
| Painter and Model. 1928. 15.42 | Crucifixion. 1930. 15.43 |
| Seated Bather. 1930. 15.44 | Girl Before a Mirror. 1932. 15.45 |
| Guernica. 1937. 15.46 | Weeping Woman. 1937. 15.47 |
| Woman in the Garden 1929. 15.50 | Man with a Sheep. 1943. 15.50 |
| JULIO GONZALES. Msr. Cactus. 1939. bronze. 15.54 | |
| GIACOMETTI | |
| Woman with Her Throat Cut. 1932. 15.56 | |
| No More Play. 1931--32. 15.55 | Figure |
| The Palace at 4 AM. 1932-33. 15.57 | Invisible Object -Hands Holding a Void. 1934. plaster 15.58 |
| PHOTOGRAPHY | |
| ATGET | |
| Magasin, Avenue des Gobelins. 1925. 15.59 | |
| MAN RAY. | Fingers. 1930. 15.60 |
| Observatory Time -- The Lovers. 1936. 15.61 | |
| KERTÉSZ.Satiric Dancer, Paris, 1926. | KERTÉSZ. Distortion N. 4. 1933. 15.63 |
| BRASSAI. Dance hall. 1932. 15.65 | TABARD. Untitled. 1929. 15.64 |