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For this semester, you will prepare a sort of preliminary research report on
one of the artists on the following list. Select the one you want and
claim them, because no two people will work on the same artist. E-mail me to
claim your choice. If the one you want is selected by someone else, you must
choose another. The basis for the list, as well as for the project, is
the ways in which these artists have contributed to the sense of what is
means to be American in the creation of art or architecture in the late 19th
or early 20th century, given the influences that are present from
other times and places. You may have a sub-topic as long as it is also
related to the subject of the American character of the work. I have avoided
inclusion of the most major artists, so you will not see any of the real
giants here. I have selected ones I know to be of significance,
though.
PHASE TWO: THE FINAL REPORT (your ultimate
goal): Your final report will be posted on the class WebCT site and everyone will
be able to read the reports of the other students in the class and to
comment upon them. You will submit your work through the dropbox and I
will publish it (before I make comments or grade them). Your work will
include the following:
·
A basic research statement (3-4 pages of text :
1200-1500 words) about the American nature of their work, in which you
discuss 3 or 4 specific works by the artist to support your line of
argument. This might address their use of imagery, of media, of
formal principles, etc., in ways that differ from modes of previous
artists or those from other countries.
·
3-4 images to support your inquiry and your
statements. These should be very small (less than 50K, so they
will not overload the WebCT system. Supplementally or
alternatively, you may use references to specific websites (by inclusion
of their addresses) or to your text book. They should be properly
captioned as per this sample:

FIG. 1. ABBOT HANDERSON THAYER.
Florence,
from THE 4 GREAT ART CENTERS OF ANTIQUITY
AND THE RENAISSANCE.
1894. O/C,
144 X 288"
.
BOWDOIN COLLEGE: WALKER ART GALLERY MURALS. (http://artmuseum.bowdoin.edu/Obj*1$139*86535$*86536)
·
An annotated bibliography, with 5 references:
2 scholarly books and 3 scholarly journal articles (you may add websites
only if they are scholarly, and only in addition to the 5 required here)
instructions for annotation below. You can or should have sources for
images that are used for only that purpose, not for research. List them
as bibliographic entries, but they do not need annotation other than to
say they are used for images, if that is all they are used for.
They are then not part of the required 5 sources. Do not use your
textbook or any other textbook as one of your 5 main sources.
Encyclopedia entries may be a place to get started, and may be cited if
used, but they are not to be used as one of your main sources either.
Clearly, a report of this short length cannot be
exhaustive, but it should be insightful and to the point. It should
not be primarily biographical nor anecdotal, although those issues may be a
minor or explanatory part of your discussion. Your writing should be
based in your research about the American character of the artist’s works.
You may select your few works and discuss them and their significance
without drawing general conclusions about all of the work of the artist, as
long as what you say is accurate and meaningful. Your writing should
be based firmly in the scholarly sources you use, rather than too-creative
or showing conjectural interpretation. And make sure you acknowledge
the ways that you are using those sources. AVOID QUOTATION.
Rather paraphrase what the scholar has said and credit them with the
thought. Clearly distinguish any of your own thinking from what you
have read.
Graduate Students: Double the length and
number of sources, add more images (up to 8), and intensify your examination
of sources and images.
________________________________________________________________________________________
WHAT IS AN ANNOTATED BIBLIOGRAPHY?
An annotated bibliography is a list of citations
of books, articles, and documents. Each citation is followed by a brief
(usually about 150 words) descriptive and evaluative paragraph, the
annotation. The purpose of the annotation is to inform the reader of the
relevance, accuracy, and quality of the sources cited.
ANNOTATIONS VS. ABSTRACTS
Abstracts are the purely descriptive summaries
often found at the beginning of scholarly journal articles or in periodical
indexes. Annotations are descriptive and critical; they expose the author's
point of view, clarity and appropriateness of expression, and authority.
Relate the value of the source to its importance in your study and your use
of it for this project.
THE PROCESS
Creating an annotated bibliography calls for the
application of a variety of intellectual skills: concise exposition,
succinct analysis, and informed library research.
First, locate and record citations to books,
periodicals, and documents that may contain useful information and ideas on
your topic. Briefly examine and review the actual items. Then choose those
works that provide a variety of perspectives on your topic. Do not just
choose the first five that you find.
Cite the book, article, or document using the
appropriate style. (Chicago style)(find on UWG library website or Google to
find on another university website)Art History uses footnotes or endnotes.
DO NOT insert parenthetical references into your writing.
Write a concise annotation that summarizes the
central theme and scope of the book or article. Include one or more
sentences that (a) evaluate the authority or background of the author, (b)
comment on the intended audience, (c) compare or contrast this work with
another you have cited, or (d) explain how this work illuminates your
bibliography topic.
The above paragraphs are taken from the website,
slightly modified:
http://www.library.cornell.edu/olinuris/ref/research/skill28.htm#what
For further information on how to create the
annotated bibliography, visit that site.
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PHASE ONE: ANNOTATED BIBLIOGRAPHY,
RATIONALE & THESIS STATEMENT Due October 30th, by 5 PM
Annotated Bibliography: See
direction in section above.
Rationale: Write a brief
statement ( 1-2 sentences) about why you selected your particular artist.
What was it about the artist or their work that made them seem like a good
choice for your research and writing? Do you see their work as related
to your own or was there some other aspect of it that intrigued you or made
them seem worthy of further investigation on your part?
Thesis Statement: Another brief
statement, probably a paragraph long . By the time you have created a
good annotated bibliography, you will have likely already developed and
refined a sort of thesis, as the thought processes for the two parts go
hand-in-hand. The thesis will result from your careful thinking
process about the particular significance of your artist and the work, and
from collecting and organizing the materials you have found on your
selection, as you have searched for bibliography that seems relevant and
that has potential for illuminating the possible links between what you
think important and what can be supported by scholarly writings. Be
careful to distinguish between what you consider known or
apparent facts and what can actually be substantiated through research.
As you progress and accumulate thoughts and research materials, their
relative significance will become more clearer and your" working thesis"
will emerge and become increasingly defined and refined. You will
develop a basic or main idea, an argument that you think you can support
with evidence but that may need adjustment along the way. You must be
prepared to change direction as the evidence requires. Remember the
overall requirement that you include consideration of the work as AMERICAN.
A good thesis will be definitive and arguable. To
test the strength of your thesis, consider these issues:
- Do I answer the question about the specific significance of
the particular works I am examining? Re-reading with a a view to
whether you have bought together works that are related in their
relevance to the thesis after constructing a working thesis can help
you repair an argument that misses the focus of the question. For
instance, if you had sought to know the significance of Monet's
"haystack" paintings, and then stated a thesis that Monet, in a
specific group of paintings, had an overarching concern of showing the
morning light in different seasons of the year, but had included in
your thesis statement that none of Monet's paintings can be seen in
Cleveland, it would likely be clear to you that these ideas have
nothing to do with one another. If you had selected Monet, he would
clearly NOT fit the requirement that his work be considered as
American. If you did select an American artist, state clearly
and specifically what is distinctively American about the work, as
well as how it relates to the phase of evolution in American art in
which it appears.
- Have I taken a position that others might challenge or oppose?
If your thesis simply states facts that no one would, or even
could, disagree with, it's possible that you are simply providing a
summary or your research findings, rather than making an argument and
showing your own thought processes. Just the gathering of research
materials is not sufficient basis for the thesis statement or for the
ultimate writing -- there needs to be clear evidence of your own
thought and hypothesis.
- Is my thesis statement specific enough? Thesis statements that are
too vague often do not have a strong argument. If your thesis contains
words like "good" or "successful," see if you could be more specific:
why is something "good"; what specifically makes
something "successful"? Judgment of the value of art, in itself,
rarely has significance. Rather, focus on the specific relevance
in context. For example, if you posit that Monet's haystack
paintings mark a phase of Impressionism in which the focus on light
conditions and and atmospheric phenomena were more important than the
farmland and the activity of gathering hay into stacks as agrarian
activities, you would have a much stronger thesis than if you stated
that Monet's most beautiful paintings were of haystacks.
- Does my thesis pass the "So what?" test? If a reader's
first response is, "So what?" then you need to clarify, to forge a
relationship, or to connect to a larger issue. If you had said
the Monet's most beautiful paintings were of haystacks, a reader would
be quite justified in saying "So what?" and insisting that you offer
them something much more specific.
- Does my essay support my thesis specifically and without
wandering? If your thesis and the body of your essay do not seem
to go together, one of them has to change. It's o.k. to change your
working thesis to reflect things you have figured out in the course of
writing your paper. Remember, always reassess and revise your writing
as necessary.
- Does my thesis pass the "how and why?" test? If a
reader's first response is "how?" or "why?" your thesis may be too
open-ended and lack guidance for the reader. See what you can add to
give the reader a better take on your position right from the
beginning.
This set of suggestions is based on those at:
http://www.unc.edu/depts/wcweb/handouts/thesis.html . For further
ideas on how to approach the task of thesis writing, you should visit that
site or scour the web for similar ones -- there are many.
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ARTISTS: painters, sculptors, architects,
designers, decorators, graphic artists, printmakers, and photographers. Some were active
in creating more than one type of artwork. These have been selected in the
hope that you are not too familiar with them, that you will become more
acquainted with someone new. Do not pick someone that you have already
researched for another class. If there is someone off the list that
seems to fit the framework of the project (American 1865-1945, not of giant
stature from our perspective, and contributing to the emergence of an
American character and identity in art), you could ask to do the study on
them, subject to my approval. Submit your requests through the class WebCT
e-mail. First come, first served. I will post your name next to the
artist you will research. Please make your selection and notify me of your
choice by September 5th.
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Henry Austin |
Jennifer Mercier |
Erastus S. Field |
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Frances Palmer |
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Richmond Barthe |
Tristan Paul |
Frank Furness |
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Ammi Phillips |
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Paul W. Bartlett |
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Alexander Gardner |
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Wm. B. Post |
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Cecilia Beaux |
Elizabeth Tullis |
C. S. & H. M. Greene |
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James Renwick, Jr. |
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J. H. Belter |
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William Glackens |
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Theodore Robinson |
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George G. Bernard |
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Chester Harding |
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Hugo Robus |
Alexa Izzet |
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Albert Bierstadt |
Grayson
Augsburger |
Herter Brothers |
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Severin Roesen |
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E. H. Blashfield |
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Edward Hicks |
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John Rogers |
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Karl Bodmer |
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Harriet Hosmer |
Elizabeth
Weatherby |
Randolph Rogers |
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James Bogardus |
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Eastman Johnson |
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Theodore Roszak |
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Solon &/or Gutzon Borglum |
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Sargent Johnson |
Jessica Craig |
Eliel Saarinen |
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Daniel Burnham |
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Gertrude Käsebier |
Emily Smith |
Ben Shahn |
Annie Owens |
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Arthur Carles |
Michelle Anthony |
John LaFarge |
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Charles Sheeler |
Channing Longo |
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George Catlin |
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FitzHugh Lane |
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Gustave Stickley |
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Kenyon Cox |
Marcus Wise |
Gaston Lachaise |
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Wm. Wetmore Story |
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Jasper Cropsey |
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Lee Lawrie |
Sheena Daniel |
Louis Sullivan |
Amy Coursey Pippin |
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J. S. Curry |
Sara Morgan |
Edmonia Lewis |
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Abbot Thayer |
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Edward Curtis |
Christhian Perez |
George Luks |
Travis Overstreet |
Ithiel Town |
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Cyrus Dallin |
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F. W. MacMonnies |
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John Twachtman |
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Andrew Dasburg |
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Herman A. Macneil |
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Richard Upjohn |
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Jo Davidson |
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Paul Manship |
Kimmy Wood |
Elihu Vedder |
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Reginald Marsh |
Vincent Parker |
Bessie P. Vonnoh |
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Arthur Davies |
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Alfred Maurer |
Lindsay Thomas |
Thos. Ustick Walter |
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A. J. Davis |
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Bernard Maybeck |
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J. Q. A. Ward |
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Donald Deskey |
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John McArthur, Jr. |
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Olin L. Warner |
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Thos. Wilmer Dewing |
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Robert Mills |
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Carlton Watkins |
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Thomas Doughty |
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Thomas Moran |
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Max Weber |
Jessica Denman |
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Arthur Dove |
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Archibald Motley |
Ricky Warren |
J. Alden Weir |
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A. J. Downing |
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Wm. Sidney Mount |
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Clarence White |
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Frank Duveneck |
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Elie Nadelman |
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Worthington Whittredge |
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Asher Durand |
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F. L. Olmstead |
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Mahronri Young |
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Seth Eastman |
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Samuel & J.C. Newsom |
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Walker Evans |
Jeff Abney |
Timothy O’Sullivan |
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