Figurative Language--language using figures of speech (a way of
saying one thing and meaning another); in other words, language that cannot be taken literally (or should not be taken literally only). Simile, metaphor, metonymy, synecdoche, personification, apostrophe, are all forms of figurative language.
a. Simile: A figure of speech in which an explicit comparison is
made
between two things essentially unlike. The
comparison is made explicit by the use of some such word or phrase as like,
as, than, similar to, resembles, appears, or seems.
“The
Guitarist Tunes Up”
With
what attentive courtesy he bent
Over
his instrument;
Not
as a lordly conqueror who could
Command
both wire and wood,
But
as a man with a loved woman might,
Inquiring
with delight
What
slight essential things she had to say
Before they started, he and she, to play.
-----Frances
Cornford
“Simile”
What did we say to each other
That
we are as the deer
Who
walk single file
With heads highs
With
ears forward
With
eyes watchful
With
hooves always placed on firm ground
In
whose limbs there is latent flight
--Scott
Momaday
b. Metaphor: A figure of speech in which an implicit comparison
is made
between two things usually unlike. Doesn’t use connective words such as like or as.
“The
Hound”
Life
the hound
Equivocal
Comes
at a bound
Either
to rend me
Or to befriend me.
I
cannot tell
The
hound’s intent
Till
he has sprung
At
my bare hand
With teeth or tongue.
Meanwhile
I stand
And
wait the event.
-----Robert
Francis
“Metaphors”
I’m
a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O
red fruit, ivory, fine timbers!
This
loaf’s big with it’s yeasty rising.
Money’s
new-minted in this fat purse.
I’m
a means, a stage, a cow in calf.
I’ve
eaten a bag of green apples,
Boarded
the train there’s no getting off.
---Sylvia
Plath
c. Metonymy and Synecdoche: Two common types of metaphor:
1. Metonymy: the use of something closely related for the
thing actually meant.
Ex: In “Out, Out--,” Robert Frost uses metonymy
when he describes an injured boy holding up his cut hand “as if to keep / The life from spilling . . .
.” Literally he means to keep the blood
from spilling.
2. Synecdoche: the whole is replaced by the part.
Ex: Shakespeare uses synecdoche when he says that
the cuckoo’s song is unpleasing to a “married ear,” for he really
means a married man.
d. Personification: A figure of speech in which human attributes
are given to an animal, an object, or a concept.
Ex: When Keats describes autumn as a harvester “sitting
careless on a granary floor” or “on a half-reaped furrow sound asleep,” he is
personifying a season. Also, in the
“The Wind”
The wind stood up and gave a shout.
He whistled on his fingers and
Kicked the withered leaves about
And thumped the branches with his hand
And said he’d kill and kill and kill
And so he will and so he will.
e. Apostrophe: An address to a person or thing not literally
listening.
“Western
Wind”
Western
Wind, when wilt thou blow,
The
small rain down can rain?
Christ! if my love were in
my arms,
And
I in my bed again!
-----Anonymous
(c. 1500)
f. Overstatement(Hyperbole): Statement containing exaggeration.
Ex: Marvell’s “To His Coy Mistress”: “An hundred years should go to praise / Thine eyes, and on thy forehead gaze, / Two hundred to adore each breast, / But thirty thousand to the rest” (13-16).
g. Understatement: Implying more than is said.
Ex: Frost’s “Birches”: One could do worse than be a swinger of birches.”—The end of the poem suggests that swinging on a birch tree is one of the most satisfying activities in the world.