Erin Lee Mock, Ph.D.

Associate Professor of English & Director of Film Studies Minor
Department of English, Film, Languages, and Performing Arts College of Arts, Culture, and Scientific Inquiry


emock@wesQkHFzdtga.edu

Boyd Building - Room 317
Office Hours
M 9:30-11:30am, other times announced weekly and by appointment

Download curriculum vitae for Erin Lee Mock, Ph.D. in MS Word
Erin Lee Mock, Ph.D.
  • B.A., Bachelor of Arts, The New School, 2004
  • M. Phil., Masters of Philosophy, City University of New York, The Graduate Center, 2011
  • Ph.D., Doctor of Philosophy, City University of New York, The Graduate Center, 2013

Spring 2023 Sections

Fall 2022 Sections

Spring 2022 Sections

Fall 2021 Sections

Spring 2021 Sections

Fall 2020 Sections

Spring 2020 Sections

  • FILM-2100 (History and Theory of Film) Section: 01
  • ENGL-4109 (Film as Literature: Horror) Section: 01W
  • ENGL-4109 (Film as Literature: Horror) Section: 02W
  • ENGL-5109 (Film as Literature: Horror) Section: 01
  • ENGL-5109 (Film as Literature: Horror) Section: 02

Spring 2019 Sections

  • FILM-2100 (History and Theory of Film) Section: 01
  • ENGL-6385 (Special Topics-Film) Section: 01

Fall 2018 Sections

  • XIDS-2002 (Taming Your Brain) Section: 34
  • FILM-2080 (Introto the Art of Film) Section: 01
  • ENGL-4109 (Film as Literature 1970s) Section: 01W
  • ENGL-5109 (Film as Literature) Section: 01

Spring 2018 Sections

  • FILM-2100 (History and Theory of Film) Section: 01
  • ENGL-4109 (Film as Lit-Sound, Music, Cine) Section: 01W
  • ENGL-5109 (Film as Lit: Sound, Music, Cin) Section: 01

Fall 2017 Sections

  • FILM-2080 (Intro to Art of Film) Section: 04
  • FILM-2080 (Intro to the Art of Film) Section: 05
  • ENGL-4109 (Film as Lit: The Horror Film) Section: 01W
  • ENGL-5109 (Film as Lit: The Horror Film) Section: 01

Spring 2017 Sections

  • FILM-2100 (History and Theory of Film) Section: 01
  • ENGL-4109 (Film as Lit-The Documentary) Section: 01W
  • ENGL-5109 (Film as Lit: The Documentary) Section: 01

Fall 2016 Sections

  • FILM-2080 (Intro to the Art of Film) Section: 03
  • FILM-2080 (Intro to the Art of Film) Section: 04
  • ENGL-4106 (Studies in Genre: Westerns) Section: 02W
  • ENGL-5106 (Studies in Genre: Westerns) Section: 02

Summer 2016 Sections

  • XIDS-2100 (Representations of Italy) Section: 01S
  • ENGL-4109 (Film as Literature) Section: 01S

Spring 2016 Sections

  • FILM-2080 (Intro to the Art of Film) Section: 01
  • ENGL-4106 (Studies in Genre-Am Film Noir) Section: 01W
  • ENGL-5106 (Studies in Genre-Am Film Noir) Section: 01

Fall 2015 Sections

  • FILM-2080 (Intro to the Art of Film) Section: 03
  • ENGL-4109 (Film as Literature) Section: 02W
  • ENGL-5109 (Film as Literature) Section: 02
  • ENGL-6385 (Seminar in Special Topics) Section: 01

Summer 2015 Sections

  • XIDS-2100 (Arts and Ideas: Film) Section: 02

Spring 2015 Sections

  • FILM-2080 (Intro to the Art of Film) Section: 01
  • FILM-2080 (Intro to the Art of Film) Section: 02

"My body for a hand of poker": The Belle Starr Story in Its Contexts [View Publication External Resource]

The Porn Star and the Polygraph: Linda Lovelace and the Truth of the Female Body [View Publication External Resource]

Where No One Can Hear You Scream: Alfred Hitchcock Brings Terror Back Into the Home . . . Where It Belongs [View Publication External Resource]

Getting Comfortable: Sex, Reading, and Postwar Adjustment in 1950s Playboy

The 2014 Atlanta Film Festival (ATLFF) Atlanta, GA, U.S.A., 26 March–4 April 2014 [View Publication External Resource]

Review: The Medieval Filmscape [View Publication External Resource]

“The Soap Opera Is a Hell of an Exciting Form”: Norman Lear's Mary Hartman, Mary Hartman and the 1970s Viewer [View Publication External Resource]

"The Horror of 'Honey, I'm Home" [View Publication External Resource]

Paladin Plays the Field [View Publication External Resource]

Review: Playboy and the Making of the Good Life in Modern America [View Publication External Resource]